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I've always found too that somewhere in whatever you've just written lies the seed of what you're going to write next.
Matthew Specktor
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Matthew Specktor
Age: 57
Born: 1966
Born: December 21
Novelist
Screenwriter
LA
California
Next
Seeds
Writing
Somewhere
Going
Lies
Always
Written
Lying
Whatever
Write
Found
Seed
More quotes by Matthew Specktor
I like writing sentences. It's tactile and exciting. Whereas working at the level of the scene is a more cerebral pleasure.
Matthew Specktor
Usually when people say they have mixed feelings about something, it's a sort of euphemistic way of saying they hate it.
Matthew Specktor
A Good Soldier is one of my favorite novels, for various reasons. But the class question is a good one, because it's not always easy to empathize with privileged people.
Matthew Specktor
The novelist is frequently considered to be an impediment.
Matthew Specktor
I think having power ingrains people with a conservatism. There's a tendency to hedge one's bets. (Which explains a lot, actually, about why the movie business is the way it is, and why the publishing industry is too.)
Matthew Specktor
Great books are written from a sense that there is nothing to lose.
Matthew Specktor
My mom was a screenwriter. I saw a lot of people who didn't seem very fulfilled creatively or otherwise by their roles in the motion picture industry.
Matthew Specktor
I don't feel like I'm self-conscious about what's next. I don't care. I know what it's like to be ignored, and I know what it's like not to be.
Matthew Specktor
A lot of talent, a lot of the currency that movies used to have, has spilled over into TV. People talk about TV the way they used to talk about movies and, as much as I hate to say it, the way they used to talk about books.
Matthew Specktor
I don't want to say that having power is overrated, but powerlessness can give rise to a different kind of authority, and that's the kind of authority that writes books.
Matthew Specktor
We're a culture that's obsessed with people who make and who squander ridiculous amounts of wealth, which seemed an obsession well worth interrogating in a novel. That probably accounts for what some have called the book's sweeping feel, but I don't know that I set out to be cinematic. I wouldn't know how to do that in a novel, specifically.
Matthew Specktor
It's hard enough to make a novel a novel. I wouldn't know how to make it something else at the same time
Matthew Specktor
The feature film business, the studio film business, feels to me like there's just nowhere else to go. It's like a record that's just skipping at the end, with the needle stuck in the run-out groove.
Matthew Specktor
People will continue to make movies. But I do think the economic model of the studio movie is closing in on a kind of systemic collapse.
Matthew Specktor
Sacrificing one's life on the altar of literature is in some ways like sacrificing a goat to some malicious spirit. It's not always a humane or necessary decision.
Matthew Specktor
I think writers can gain a lot of vitality from being misread.
Matthew Specktor
Much to my surprise, there's a sense for people in the cable industry that fiction writers might actually be good at script writing. You can write dialogue!
Matthew Specktor
I do have complicated feelings about Hollywood, but I also have tremendously affectionate ones.
Matthew Specktor
One of the weird things about L.A. is that there's always a set of negative perceptions that attaches itself to this city.
Matthew Specktor
Our need to identify with representative figures is something that never goes away. We still find those in novels. We find those in television. We find them in movies. We find them all over the place.
Matthew Specktor
