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I've always found too that somewhere in whatever you've just written lies the seed of what you're going to write next.
Matthew Specktor
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Matthew Specktor
Age: 58
Born: 1966
Born: December 21
Novelist
Screenwriter
LA
California
Lying
Whatever
Write
Found
Seed
Next
Seeds
Writing
Somewhere
Going
Lies
Always
Written
More quotes by Matthew Specktor
Much to my surprise, there's a sense for people in the cable industry that fiction writers might actually be good at script writing. You can write dialogue!
Matthew Specktor
I think the publishing industry is dismayingly like the movie business. It grows more corporate by the day.
Matthew Specktor
My mom was a screenwriter. I saw a lot of people who didn't seem very fulfilled creatively or otherwise by their roles in the motion picture industry.
Matthew Specktor
A Good Soldier is one of my favorite novels, for various reasons. But the class question is a good one, because it's not always easy to empathize with privileged people.
Matthew Specktor
I think having power ingrains people with a conservatism. There's a tendency to hedge one's bets. (Which explains a lot, actually, about why the movie business is the way it is, and why the publishing industry is too.)
Matthew Specktor
Even though I think writers can sometimes thrive from being misread. It can give them something to push off of.
Matthew Specktor
A lot of talent, a lot of the currency that movies used to have, has spilled over into TV. People talk about TV the way they used to talk about movies and, as much as I hate to say it, the way they used to talk about books.
Matthew Specktor
Good fiction necessarily encompasses our limited understandings of one another, and of ourselves.
Matthew Specktor
Jay-Z isn't actually any better than James Joyce even though more people understand him. I'm more interested in what's meaningful within the lives of individuals. And fiction will always be central to the lives of certain people, which is all that matters.
Matthew Specktor
Sacrificing one's life on the altar of literature is in some ways like sacrificing a goat to some malicious spirit. It's not always a humane or necessary decision.
Matthew Specktor
I don't feel like I'm self-conscious about what's next. I don't care. I know what it's like to be ignored, and I know what it's like not to be.
Matthew Specktor
Great books are written from a sense that there is nothing to lose.
Matthew Specktor
I like writing sentences. It's tactile and exciting. Whereas working at the level of the scene is a more cerebral pleasure.
Matthew Specktor
It's hard enough to make a novel a novel. I wouldn't know how to make it something else at the same time
Matthew Specktor
I'm going to write what I feel like writing, which is a great place to be. But it can be hard to get there. It's so easy to get stricken with one kind of self-consciousness or another.
Matthew Specktor
The 90s were the decade in which studio filmmaking became a much more purely corporatized process, when their crassness ceased to operate on such a relatively individual scale.
Matthew Specktor
I do have complicated feelings about Hollywood, but I also have tremendously affectionate ones.
Matthew Specktor
100 million dollars used to be the limit of what a movie might cost now they routinely cost 300 million. Sooner or later, spectacle is just going to have to find a new way to exist.
Matthew Specktor
People will continue to make movies. But I do think the economic model of the studio movie is closing in on a kind of systemic collapse.
Matthew Specktor
We're a culture that's obsessed with people who make and who squander ridiculous amounts of wealth, which seemed an obsession well worth interrogating in a novel. That probably accounts for what some have called the book's sweeping feel, but I don't know that I set out to be cinematic. I wouldn't know how to do that in a novel, specifically.
Matthew Specktor
