For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.

We should all aspire in life to do a multitude of things well - to be a great father, to be a good husband, to be a good lover, you know, to try to do things the best you can is very important to me.

Photography is about light and what it does and how it is captured on a piece of negative.

When you're young, you get by on charm and good looks, not that I miss being charming or good-looking, but then you start to understand things about life, about the craft of acting. You approach it a different way. It's much more fun now than it was, because you take more chances and risks. I enjoy acting now more than when I was young.

Fifteen dollar too beaucoup. Five dollars each... Five dollars is all my mom allows me to spend.

I always thought that it was kind of silly that a baseball card could be worth so much money.

Stanley didn't shy away from true humanity or from the ugliness that all people are capable of.

So the thing that's beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera's all about composition and all about light.

Think of Frank Capra and Preston Sturges. They used the same actors over and over again.

I played Little League and in high school. I played more over the years whenever there was a pick-up game... usually softball.

Life really is very brief.

I don't think that digital photography is romantic yet. It's not sympathetic the way that film is.