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I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
Matthea Harvey
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Matthea Harvey
Age: 51
Born: 1973
Born: September 3
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Boundary
Haunted
Poems
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More quotes by Matthea Harvey
I would love to collaborate on a graphic novel with an artist - I'm terrible at drawing but I really love that genre.
Matthea Harvey
I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.
Matthea Harvey
Some of my favorite poems are confessional poems written in the voices of aliens (Southbound on the Freeway by May Swenson and Report from the Surface by Anthony McCann), sheep (Snow Line by John Berryman) or a yak (The Only Yak in Batesville, Virginia by Oni Buchanan).
Matthea Harvey
I do have a tendency to invest inanimate objects with human qualities.
Matthea Harvey
I'm interested in concrete poems - anything that complicates the line between the written and the visual.
Matthea Harvey
I do love the prose poem because it's such a perverse and provocative little box - always asking to be questioned, never giving a straight or definitive answer.
Matthea Harvey
Writing a poem is always a process of subtracting: you start with all of language available to you, and you choose a smaller field.
Matthea Harvey
I don't like basements, but definitely basements could be poems. Not fond of skin diseases, but again, there's a pattern. Probably anything could be a poem.
Matthea Harvey
I am pretty interested in hybrid forms. I love graphic novels and I think there should be more graphic poems in the world.
Matthea Harvey
I write poems from dreams pretty frequently. It's limiting to think the poem has to come from a sensical lyric I stating things clearly or dramatically. This whole course is trying to say there are millions of ways to approach writing a poem.
Matthea Harvey
I let my narrative embroidering impulses take over in prose poems.
Matthea Harvey
I'm pretty lenient with myself about time - if I feel like taking photographs of small things inside ice cubes or making animal collages, I just do it. When I want to write, I write. It's all part of the same thing for me.
Matthea Harvey
When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.
Matthea Harvey
Whether you're talking about political borders or aesthetic divisions (and clearly, the political ones have much more tragic consequences), it seems like once they are created, we want to patrol them, enforce them.
Matthea Harvey
Read widely (in and outside of your own genre), keep a notebook with you at all times. Do something that scares you every now and then. Try to locate your own frequency, knowing that one year your voice is on AM 532 and the next it's on FM 92.8.
Matthea Harvey
As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain I poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
Matthea Harvey
To be a poet you have to experiment.
Matthea Harvey
What I like about prose poems is that they seem to make people uncomfortable - people want to define them, justify them, attack them. Prose poems are natural fence-sitters.
Matthea Harvey
I grew up spending time at my grandmother's farm in Germany and she lived a few kilometers away from the border between east and west Germany. It was so strange that roads which used to connect two towns now ended in the middle.
Matthea Harvey
People confess can be wildly different. I might go into the confessional and say, Father, what is my obsession with miniatures?
Matthea Harvey