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I guess I'm a bit of a projector - my emotions tend to get translated into different, fanciful situations.

Matthea Harvey

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Matthea Harvey
Age: 51
Born: 1973
Born: September 3
Poet
Writer
FRG
Different
Translated
Situations
Emotions
Tend
Guess
Emotion
Projector
Bits
Projectors
Situation
Fanciful

More quotes by Matthea Harvey

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Teaching is a great way to keep learning.
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Whether you're talking about political borders or aesthetic divisions (and clearly, the political ones have much more tragic consequences), it seems like once they are created, we want to patrol them, enforce them.
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I read a lot of graphic novels - some of my favorites graphic novelists or artists are Rebecca Kraatz, Gabrielle Bell, Graham Roumieu, Tom Gauld, and Renee French.
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It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
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I let my narrative embroidering impulses take over in prose poems.
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I would love to collaborate on a graphic novel with an artist - I'm terrible at drawing but I really love that genre.
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In my own writing, I've mostly abandoned end-rhyme, but wordplay is still a huge part of my process.
Matthea Harvey
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People confess can be wildly different. I might go into the confessional and say, Father, what is my obsession with miniatures?
Matthea Harvey
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What I like about prose poems is that they seem to make people uncomfortable - people want to define them, justify them, attack them. Prose poems are natural fence-sitters.
Matthea Harvey
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When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.
Matthea Harvey
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I certainly believe you can write a narrative lyric or a lyrical narrative - why not a nyric or a larrative?
Matthea Harvey
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As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain I poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
Matthea Harvey
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I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
Matthea Harvey
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Writing a poem is always a process of subtracting: you start with all of language available to you, and you choose a smaller field.
Matthea Harvey
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If I begin a poem, I am a donkey, reason kicks in and says, She is taking on the persona of a donkey. But if I write, I have taken so many drugs I can't see my feet, the tendency is to take that as a confession on the part of the poet. Maybe that doesn't matter. I'd almost prefer for it to be the other way round.
Matthea Harvey
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I do love the prose poem because it's such a perverse and provocative little box - always asking to be questioned, never giving a straight or definitive answer.
Matthea Harvey
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Erasures are interesting to me because they prove what particular sieves we all are.
Matthea Harvey
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I don't like basements, but definitely basements could be poems. Not fond of skin diseases, but again, there's a pattern. Probably anything could be a poem.
Matthea Harvey
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I have poetic failures all the time. Many failed poems. I try not to publish those, though some have slipped into each book, since I can't always tell they're failures until later... or I don't want to admit that they are.
Matthea Harvey
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Read widely (in and outside of your own genre), keep a notebook with you at all times. Do something that scares you every now and then. Try to locate your own frequency, knowing that one year your voice is on AM 532 and the next it's on FM 92.8.
Matthea Harvey