Quote

I would love to collaborate on a graphic novel with an artist - I'm terrible at drawing but I really love that genre.

Matthea Harvey

Change background

T
T
T

Change font

TAGS & TOPICS

Matthea Harvey
Age: 51
Born: 1973
Born: September 3
Poet
Writer
FRG
Genre
Drawing
Novel
Terrible
Artist
Really
Would
Collaborate
Love
Graphic

More quotes by Matthea Harvey

Image
It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
Matthea Harvey
Image
I don't think that you can say by any stretch of the imagination that all Wisconsin or Brooklyn-based poets write in a particular way. Similar sensibilities can spring up next to each other in the flower bed, or across oceans.
Matthea Harvey
Image
I read a lot of graphic novels - some of my favorites graphic novelists or artists are Rebecca Kraatz, Gabrielle Bell, Graham Roumieu, Tom Gauld, and Renee French.
Matthea Harvey
Image
I let my narrative embroidering impulses take over in prose poems.
Matthea Harvey
Image
Teaching is a great way to keep learning.
Matthea Harvey
Image
I'm pretty lenient with myself about time - if I feel like taking photographs of small things inside ice cubes or making animal collages, I just do it. When I want to write, I write. It's all part of the same thing for me.
Matthea Harvey
Image
I don't like basements, but definitely basements could be poems. Not fond of skin diseases, but again, there's a pattern. Probably anything could be a poem.
Matthea Harvey
Image
What I like about prose poems is that they seem to make people uncomfortable - people want to define them, justify them, attack them. Prose poems are natural fence-sitters.
Matthea Harvey
Image
I do have a tendency to invest inanimate objects with human qualities.
Matthea Harvey
Image
I am pretty interested in hybrid forms. I love graphic novels and I think there should be more graphic poems in the world.
Matthea Harvey
Image
Some of my favorite poems are confessional poems written in the voices of aliens (Southbound on the Freeway by May Swenson and Report from the Surface by Anthony McCann), sheep (Snow Line by John Berryman) or a yak (The Only Yak in Batesville, Virginia by Oni Buchanan).
Matthea Harvey
Image
To be a poet you have to experiment.
Matthea Harvey
Image
Whether you're talking about political borders or aesthetic divisions (and clearly, the political ones have much more tragic consequences), it seems like once they are created, we want to patrol them, enforce them.
Matthea Harvey
Image
I write poems from dreams pretty frequently. It's limiting to think the poem has to come from a sensical lyric I stating things clearly or dramatically. This whole course is trying to say there are millions of ways to approach writing a poem.
Matthea Harvey
Image
I'm interested in concrete poems - anything that complicates the line between the written and the visual.
Matthea Harvey
Image
People confess can be wildly different. I might go into the confessional and say, Father, what is my obsession with miniatures?
Matthea Harvey
Image
I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
Matthea Harvey
Image
In my own writing, I've mostly abandoned end-rhyme, but wordplay is still a huge part of my process.
Matthea Harvey
Image
Poetic success is when you write a poem that makes you excited and bewildered and aglow.
Matthea Harvey
Image
I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.
Matthea Harvey