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I have poetic failures all the time. Many failed poems. I try not to publish those, though some have slipped into each book, since I can't always tell they're failures until later... or I don't want to admit that they are.

Matthea Harvey

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Matthea Harvey
Age: 51
Born: 1973
Born: September 3
Poet
Writer
FRG
Tell
Failures
Book
Poetic
Many
Poems
Trying
Failed
Always
Admit
Time
Later
Since
Slipped
Though
Publish

More quotes by Matthea Harvey

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I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
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It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
Matthea Harvey
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Writing a poem is always a process of subtracting: you start with all of language available to you, and you choose a smaller field.
Matthea Harvey
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I would love to collaborate on a graphic novel with an artist - I'm terrible at drawing but I really love that genre.
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If I begin a poem, I am a donkey, reason kicks in and says, She is taking on the persona of a donkey. But if I write, I have taken so many drugs I can't see my feet, the tendency is to take that as a confession on the part of the poet. Maybe that doesn't matter. I'd almost prefer for it to be the other way round.
Matthea Harvey
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As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain I poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
Matthea Harvey
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I guess I'm a bit of a projector - my emotions tend to get translated into different, fanciful situations.
Matthea Harvey
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I grew up spending time at my grandmother's farm in Germany and she lived a few kilometers away from the border between east and west Germany. It was so strange that roads which used to connect two towns now ended in the middle.
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Some of my favorite poems are confessional poems written in the voices of aliens (Southbound on the Freeway by May Swenson and Report from the Surface by Anthony McCann), sheep (Snow Line by John Berryman) or a yak (The Only Yak in Batesville, Virginia by Oni Buchanan).
Matthea Harvey
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I do have a tendency to invest inanimate objects with human qualities.
Matthea Harvey
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I'm interested in concrete poems - anything that complicates the line between the written and the visual.
Matthea Harvey
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I am pretty interested in hybrid forms. I love graphic novels and I think there should be more graphic poems in the world.
Matthea Harvey
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Poetic success is when you write a poem that makes you excited and bewildered and aglow.
Matthea Harvey
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In my own writing, I've mostly abandoned end-rhyme, but wordplay is still a huge part of my process.
Matthea Harvey
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I do love the prose poem because it's such a perverse and provocative little box - always asking to be questioned, never giving a straight or definitive answer.
Matthea Harvey
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I'm pretty lenient with myself about time - if I feel like taking photographs of small things inside ice cubes or making animal collages, I just do it. When I want to write, I write. It's all part of the same thing for me.
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People confess can be wildly different. I might go into the confessional and say, Father, what is my obsession with miniatures?
Matthea Harvey
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Whether you're talking about political borders or aesthetic divisions (and clearly, the political ones have much more tragic consequences), it seems like once they are created, we want to patrol them, enforce them.
Matthea Harvey
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Teaching is a great way to keep learning.
Matthea Harvey
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I let my narrative embroidering impulses take over in prose poems.
Matthea Harvey