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I don't think that you can say by any stretch of the imagination that all Wisconsin or Brooklyn-based poets write in a particular way. Similar sensibilities can spring up next to each other in the flower bed, or across oceans.
Matthea Harvey
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Matthea Harvey
Age: 51
Born: 1973
Born: September 3
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More quotes by Matthea Harvey
In my own writing, I've mostly abandoned end-rhyme, but wordplay is still a huge part of my process.
Matthea Harvey
I have poetic failures all the time. Many failed poems. I try not to publish those, though some have slipped into each book, since I can't always tell they're failures until later... or I don't want to admit that they are.
Matthea Harvey
Teaching is a great way to keep learning.
Matthea Harvey
I'm pretty lenient with myself about time - if I feel like taking photographs of small things inside ice cubes or making animal collages, I just do it. When I want to write, I write. It's all part of the same thing for me.
Matthea Harvey
I do have a tendency to invest inanimate objects with human qualities.
Matthea Harvey
If I begin a poem, I am a donkey, reason kicks in and says, She is taking on the persona of a donkey. But if I write, I have taken so many drugs I can't see my feet, the tendency is to take that as a confession on the part of the poet. Maybe that doesn't matter. I'd almost prefer for it to be the other way round.
Matthea Harvey
I certainly believe you can write a narrative lyric or a lyrical narrative - why not a nyric or a larrative?
Matthea Harvey
It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
Matthea Harvey
To be a poet you have to experiment.
Matthea Harvey
People confess can be wildly different. I might go into the confessional and say, Father, what is my obsession with miniatures?
Matthea Harvey
I am pretty interested in hybrid forms. I love graphic novels and I think there should be more graphic poems in the world.
Matthea Harvey
Writing a poem is always a process of subtracting: you start with all of language available to you, and you choose a smaller field.
Matthea Harvey
Poetic success is when you write a poem that makes you excited and bewildered and aglow.
Matthea Harvey
As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain I poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
Matthea Harvey
I let my narrative embroidering impulses take over in prose poems.
Matthea Harvey
When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.
Matthea Harvey
I guess I'm a bit of a projector - my emotions tend to get translated into different, fanciful situations.
Matthea Harvey
I would love to collaborate on a graphic novel with an artist - I'm terrible at drawing but I really love that genre.
Matthea Harvey
I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
Matthea Harvey
Some of my favorite poems are confessional poems written in the voices of aliens (Southbound on the Freeway by May Swenson and Report from the Surface by Anthony McCann), sheep (Snow Line by John Berryman) or a yak (The Only Yak in Batesville, Virginia by Oni Buchanan).
Matthea Harvey