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Poetic success is when you write a poem that makes you excited and bewildered and aglow.

Matthea Harvey

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Matthea Harvey
Age: 51
Born: 1973
Born: September 3
Poet
Writer
FRG
Write
Makes
Writing
Aglow
Bewildered
Poetic
Poem
Excited
Success

More quotes by Matthea Harvey

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I grew up spending time at my grandmother's farm in Germany and she lived a few kilometers away from the border between east and west Germany. It was so strange that roads which used to connect two towns now ended in the middle.
Matthea Harvey
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I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.
Matthea Harvey
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As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain I poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
Matthea Harvey
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To be a poet you have to experiment.
Matthea Harvey
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I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
Matthea Harvey
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I don't like basements, but definitely basements could be poems. Not fond of skin diseases, but again, there's a pattern. Probably anything could be a poem.
Matthea Harvey
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Writing a poem is always a process of subtracting: you start with all of language available to you, and you choose a smaller field.
Matthea Harvey
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Whether you're talking about political borders or aesthetic divisions (and clearly, the political ones have much more tragic consequences), it seems like once they are created, we want to patrol them, enforce them.
Matthea Harvey
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I certainly believe you can write a narrative lyric or a lyrical narrative - why not a nyric or a larrative?
Matthea Harvey
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Teaching is a great way to keep learning.
Matthea Harvey
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It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
Matthea Harvey
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When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.
Matthea Harvey
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I'm interested in concrete poems - anything that complicates the line between the written and the visual.
Matthea Harvey
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I don't think that you can say by any stretch of the imagination that all Wisconsin or Brooklyn-based poets write in a particular way. Similar sensibilities can spring up next to each other in the flower bed, or across oceans.
Matthea Harvey
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Erasures are interesting to me because they prove what particular sieves we all are.
Matthea Harvey
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I let my narrative embroidering impulses take over in prose poems.
Matthea Harvey
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I have poetic failures all the time. Many failed poems. I try not to publish those, though some have slipped into each book, since I can't always tell they're failures until later... or I don't want to admit that they are.
Matthea Harvey
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People confess can be wildly different. I might go into the confessional and say, Father, what is my obsession with miniatures?
Matthea Harvey
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Some of my favorite poems are confessional poems written in the voices of aliens (Southbound on the Freeway by May Swenson and Report from the Surface by Anthony McCann), sheep (Snow Line by John Berryman) or a yak (The Only Yak in Batesville, Virginia by Oni Buchanan).
Matthea Harvey
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I'm pretty lenient with myself about time - if I feel like taking photographs of small things inside ice cubes or making animal collages, I just do it. When I want to write, I write. It's all part of the same thing for me.
Matthea Harvey