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I felt quite at home, / As if it were mine sleeping lazily / In this house of fresh air.
Matsuo Basho
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Matsuo Basho
Age: 50 †
Born: 1644
Born: January 1
Died: 1694
Died: November 28
Artist
Poet
Writer
Vaxjo
Matsuo Basho
Bashō
Bashô
Basho
Matsuo Bashou
House
Sleeping
Home
Fresh
Mines
Mine
Air
Quite
Sleep
Felt
Lazily
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April's air stirs in Willow-leaves...a butterfly Floats and balances
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Between our two lives there is also the life of the cherry blossom.
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A flute with no holes is not a flute.
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The desire to break the silence with constant human noise is, I believe, precisely an avoidance of the sacred terror of that divine encounter.
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Fresh spring! / The world is only Nine days old - / These fields and mountains!
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Ballet in the air... Twin butterflies until, twice white They Meet, they mate
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When composing a verse let there not be a hair's breath separating your mind from what you write composition of a poem must be done in an instant, like a woodcutter felling a huge tree or a swordsman leaping at a dangerous enemy.
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I am one who eats breakfast gazing at morning glories.
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All my friends / viewing the moon – / an ugly bunch.
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Poverty's child - he starts to grind the rice, and gazes at the moon.
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Winter solitude- in a world of one colour the sound of the wind.
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Friends part foreverwild geese lost in cloud
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My body, now close to fifty years of age, has become an old tree that bears bitter peaches, a snail which has lost its shell, a bagworm separated from its bag it drifts with the winds and clouds that know no destination. Morning and night I have eaten traveler's fare, and have held out for alms a pilgrim's wallet.
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For this lovely bowl let us arrange these flowers since there is no rice.
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Farewell, my old fan. / Having scribbled on it, / What could I do but tear it / At the end of summer?
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If I had the knack I'd sing like Cherry flakes falling
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Go to the pine if you want to learn about the pine, or to the bamboo if you want to learn about the bamboo. And in doing so, you must leave your subjective preoccupation with yourself. Otherwise you impose yourself on the object and you do not learn.
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The haiku that reveals seventy to eighty percent of its subject is good. Those that reveal fifty to sixty percent, we never tire of.
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Make the universe your companion, always bearing in mind the true nature of things-mountains and rivers, trees and grasses, and humanity-and enjoy the falling blossoms and the scattering leaves.
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Winter garden, the moon thinned to a thread, insects singing.
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