The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.

Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.

I have a really big interest in the spirit world: spooks and the things we can't necessarily see but feel.

Leading a band is fun, but it's not always something I want to continually focus on. I have my toes in a lot of different things.

I'm a history geek and I love American history. It's so bizarre and so problematic and I love the many conundrums that it represents. You can go down so many black holes.

It's important to interrogate history, it's important to document history, because as a society we need constant reminders of the things that we've done in the past in the hope we can stop repeating these horrible lessons.

A lot of my video work is super lo-fi on purpose. I'm not trying to become technically super proficient. The only thing I'm interested in becoming technically proficient on is my alto saxophone.

New York is beautiful, but [the South] makes it look like a wasteland.

I love working with my hands. The computer has taken over my life in a way that makes me really uncomfortable. I'm trying to find a happy medium that gives me freedom but also still goes back to the idea of craft.