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Whenever in history, equality appeared on the agenda, it was exported somewhere else, like an undesirable.

Mary McCarthy

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Mary McCarthy
Age: 77 †
Born: 1912
Born: June 21
Died: 1989
Died: October 25
Author
Autobiographer
Critic
Journalist
Literary Critic
Novelist
Screenwriter
Writer
Seattle
Washington
Mary Therese McCarthy
Else
Undesirable
Like
Appeared
Agenda
Agendas
Equality
Whenever
Somewhere
History
Exported

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Labor is work that leaves no trace behind it when it is finished.
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All dramatic realism is somewhat sadistic an audience is persuaded to watch something that makes it uncomfortable and from which no relief is offered - no laughter, no tears, no purgation.
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For me, in fact, the mark of the historic is the nonchalance with which it picks up an individual and deposits him in a trend, like a house playfully moved by a tornado.
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A society person who is enthusiastic about modern painting or Truman Capote is already half a traitor to his class. It is middle-class people who, quite mistakenly, imagine that a lively pursuit of the latest in reading and painting will advance their status in the world.
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...the tourist Venice is Venice.
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We are the hero of our own story.
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A good deal of education consists of unlearning-the breaking of bad habits as with a tennis serve.
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The desire to believe the best of people is a prerequisite for intercourse with strangers suspicion is reserved for friends.
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Scratch a socialist and you find a snob.
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It has to be acknowledged that in capitalist society, with its herds of hippies, originality has become a sort of fringe benefit, a mere convention, accepted obsolescence, the Beatnik model being turned in for the Hippie model, as though strangely obedient to capitalist laws of marketing.
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most people did not care to be taught what they did not already know it made them feel ignorant.
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What's the use of falling in love if you both remain inertly as you were?
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Every age has a keyhole to which its eye is pasted. Spicy court-memoirs, the lives of gallant ladies, recollections of an ex-nun, a monk's confession, an atheist's repentance, true-to-life accounts of prostitution and bastardy gave our ancestors a penny peep into the forbidden room.
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Venice, as a city, was a foundling, floating upon the waters like Moses in his basket among the bulrushes.
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The dictator is also the scapegoat in assuming absolute authority, he assumes absolute guilt and the oppressed masses, groaning under the yoke, know themselves to be innocent as lambs, while they pray hypocritically for deliverance.
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Others are to us like the characters in fiction, eternal and incorrigible the surprises they give us turn out in the end to have been predictable and unexpected variations on the theme of being themselves.
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Sex annihilates identity, and the space given to sex in contemporary novels is an avowal of the absence of character.
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The theater is the only branch of art much cared for by people of wealth like canasta, it does away with the brother of talk after dinner.
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If one means by style the voice, the irreducible and always recognizable and alive thing, then of course style is really everything.
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I suppose everyone continues to be interested in the quest for the self, but what you feel when you're older, I think, is that - how to express this - you really must make the self.
Mary McCarthy