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We are the hero of our own story.
Mary McCarthy
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Mary McCarthy
Age: 77 †
Born: 1912
Born: June 21
Died: 1989
Died: October 25
Author
Autobiographer
Critic
Journalist
Literary Critic
Novelist
Screenwriter
Writer
Seattle
Washington
Mary Therese McCarthy
Hero
Story
Stories
Healing
More quotes by Mary McCarthy
I really tried, or so I thought, to avoid lying, but it seemed to me that they forced it on me by the difference in their vision of things, so that I was always transposing reality for them into something they could understand.
Mary McCarthy
In moments of despair, we look on ourselves lead-enly as objects we see ourselves, our lives, as someone else might see them and may even be driven to kill ourselves if the separation, the knowledge, seems sufficiently final.
Mary McCarthy
The horror of Gandhi's murder lies not in the political motives behind it or in its consequences for Indian policy or for the future of non-violence the horror lies simply in the fact that any man could look into the face of this extraordinary person and deliberately pull a trigger.
Mary McCarthy
this is the spirit of the enchantment under which Venice lies, pearly and roseate, like the Sleeping Beauty, changeless throughout the centuries, arrested, while the concrete forest of the modern world grows up around her.
Mary McCarthy
The passion for fact in a raw state is a peculiarity of the novelist.
Mary McCarthy
A good deal of education consists of unlearning-the breaking of bad habits as with a tennis serve.
Mary McCarthy
The suspense in a novel is not only in the reader, but in the novelist himself, who is intensely curious too about what will happen to the hero.
Mary McCarthy
Every age has a keyhole to which its eye is pasted. Spicy court-memoirs, the lives of gallant ladies, recollections of an ex-nun, a monk's confession, an atheist's repentance, true-to-life accounts of prostitution and bastardy gave our ancestors a penny peep into the forbidden room.
Mary McCarthy
Others are to us like the characters in fiction, eternal and incorrigible the surprises they give us turn out in the end to have been predictable and unexpected variations on the theme of being themselves.
Mary McCarthy
For both writer and reader, the novel is a lonely, physically inactive affair. Only the imagination races.
Mary McCarthy
Like Michelangelo and Cellini, Florentines of every station are absorbed in acquiring real estate: a little apartment that can be rented to foreigners a farm that will supply the owner with oil, wine, fruit, and flowers for the house.
Mary McCarthy
Every word she writes is a lie, including and and the.
Mary McCarthy
The happy ending is our national belief.
Mary McCarthy
The desire to believe the best of people is a prerequisite for intercourse with strangers suspicion is reserved for friends.
Mary McCarthy
For self-realization, a rebel demands a strong authority, a worthy opponent, God to his Lucifer.
Mary McCarthy
Being abroad makes you conscious of the whole imitative side of human behavior. The ape in man.
Mary McCarthy
Scratch a socialist and you find a snob.
Mary McCarthy
love of truth, ordinary common truth recognizable to everyone, is the ruling passion of the novel.
Mary McCarthy
Leisure was the sine qua non of the full Renaissance. The feudal nobility, having lost its martial function, sought diversion all over Europe in cultivated pastimes: sonneteering, the lute, games and acrostics, travel, gentlemanly studies and sports, hunting and hawking, treated as arts.
Mary McCarthy
Whenever in history, equality appeared on the agenda, it was exported somewhere else, like an undesirable.
Mary McCarthy