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You know, I didn't have enough money to quit my day job... the myth of the major label deal. Nowadays, you have a tour bus and a stylist and all this stuff. But back then, no way.

Mary Chapin Carpenter

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Mary Chapin Carpenter
Age: 66
Born: 1958
Born: February 21
Recording Artist
Singer
Singer-Songwriter
Street Artist
Princeton
New Jersey
Money
Labels
Didn
Myth
Stylist
Back
Majors
Bus
Enough
Major
Nowadays
Way
Deal
Label
Deals
Tour
Jobs
Quit
Stuff
Quitting

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You've gotta know happy. You've gotta know sad. 'Cause you're gonna know lonely and you're gonna know sad
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Think I'll flip a coin, I'm a winner either way Mmmmmm, I feel lucky today
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A dreamer born is a hero bred.
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Life is never a straight line - it's peaks and valleys. Why would you want to be the same person every day of your life?
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I grew up listening to everything, and when I got signed to a record deal out of Nashville, that was my introduction to what was happening in country music.
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I don't think you need to dumb down to a child, you merely have to be clear, you know?
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I certainly felt the desire to reach as many people as I could I wanted to make the most of this opportunity, sure. But I wouldn't call it pressure the way we're thinking of it now.
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Was it a light only she could see? A gypsy's spell? A mystery?
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I feel like they're different creatures, live and in the studio, but that's what makes it so interesting to me. If they didn't have any different shadings or colors, you might as well be a hologram or something.
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In this world you've a soul for a compass And a heart for a pair of wings There's a star on the far horizon Rising bright in an azure sky For the rest of the time that you're given Why walk when you can fly?
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Sometimes you get there in spite of the route Losing track of your life and what it's about The road seems to know when to straighten right out... I could wonder if all of it led me to you I could show you the arrows and circles I drew I didn't have a map, it's the best I could do On the fly and on the run
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The bedrock thing of country music is, it's about storytelling. I feel like I was able to find a niche because I connected to that in some way.
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You know, that single girl life and that sense of isolation - that doesn't leave you just like that. And that's what that song is about. I remember that, and that is imprinted on me, that sense.
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I was a liberal arts junkie and I figured, well, I'll go work for somebody somewhere. All I knew was that I was going to have to come home and figure it out.
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I was really young, but I can't say that I wrote much of anything. I liked to scribble I thought of it as that. But I was playing guitar and ukulele when I was in second grade.
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I love to write songs and sing them, and I didn't really know much more than that. Somehow it's gotten to the point where a friend can say, It's very you, and that made me feel good.
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I take my chances. I can't cling to remorse or regret.
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We all have two lives. The one we are given and the one we create.
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I've never... when I was having songs on the airwaves, and that sort of thing, I never felt a sense of pressure anywhere except from myself, to do things the way I wanted to do them to feel authentic to feel like I was presenting my true self to the world.
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I think on a stage in front of thousands of people is a wildly invigorating and amazing experience, and it requires a certain skill set then being in the studio, and being curled up in the fetal position under the piano, that requires another skill set.
Mary Chapin Carpenter