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I prefer people who don't get caught, and if they do get caught, I prefer people who don't give in.
Martin Scorsese
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Martin Scorsese
Age: 81
Born: 1942
Born: November 17
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Voice Actor
Queens
New York
Martin Skorseze
Martin Charles Scorsese
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More quotes by Martin Scorsese
It did remind me of something out of Greek mythology - the richest king who gets everything he wants, but ultimately his family has a curse on it from the Gods.
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More personal films, you could make them, but your budgets would be cut down.
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You have to put yourself in a situation, a lifestyle, that makes you do the work. Even if it's a monastery.
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You gotta understand, when moving images first started, people wanted sound, color, big screen and depth.
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I wouldn't presume to be God's point of view.
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During Prohibition, Atlantic City created the idea of the speakeasy, which turned into nightclubs and that extraordinary political complexity and corruption coming out of New Jersey at the time. The long hand that they had-and maybe still do-even had to do with presidential elections.
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I love movies - it's my whole life, and that's it.
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I think what happened there was just the budget would be too big to build these sets because nothing really exists here in New York of that period you have to build it all.
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I didn't realize there are generations who do not know about the origins of film.
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The storyboard for me is the way to visualise the entire movie in advance.
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I tried for about two semesters in a preparatory seminary. But I was about 15 and didn't fully understand what a vocation means.
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Movies touch our hearts, and awaken our vision, and change the way we see things. They take us to other places. They open doors and minds. Movies are the memories of our lifetime. We need to keep them alive.
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I accept all awards. I like them.
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I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.
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We cannot burn Mick Jagger. We want the effect, but we can't burn him.
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There are movies that change the whole way in which films are made, like Klute, where Gordon Willis’s photography on the film is so textured, and, they said, too dark.
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I don't agree with everything he did in his life, but we're dealing with this Howard Hughes, at this point. And also ultimately the flaw in Howard Hughes, the curse so to speak.
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My films really have to be a part of a whole body of work that says something to me.
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As a child I had terrible asthma.
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Well the thing is that the New York of 1846 to 1862 was very different from downtown New York now. Really nothing from that period still exists in New York.
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