Quote

Always get to the set or the location early, so that you can be all alone and draw your inspiration for the blocking and the setups in private and quiet.

Martin Scorsese

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Martin Scorsese
Age: 81
Born: 1942
Born: November 17
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Voice Actor
Queens
New York
Martin Skorseze
Martin Charles Scorsese
Quiet
Setups
Inspiration
Blocking
Alone
Location
Always
Block
Draw
Draws
Private
Early

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During Prohibition, Atlantic City created the idea of the speakeasy, which turned into nightclubs and that extraordinary political complexity and corruption coming out of New Jersey at the time. The long hand that they had-and maybe still do-even had to do with presidential elections.
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The only way I was able to defend myself was to be able to take punishment. Then I got a lot of respect. They said, Oh, he's okay, he can take it. Don't hit him. The guys were pretty big, and I had asthma.
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I just wanted to be an ordinary parish priest.
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In truly great films - the ones that people need to make, the ones that start speaking through them, the ones that keep moving into territory that is more and more unfathomable and uncomfortable - nothing's ever simple or neatly resolved. You're left with a mystery.
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Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.
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I don't like being in houses alone.
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The most important thing is, how can I move forward towards something that I can't articulate, that is new in storytelling with moving images and sound?
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Being a father at a later age is different from when I had my other two daughters when I was in my 20s and 30s. If you're in your 60s and you're with the kid every day, you're dealing with the mind of a child, so it opens up that childishness in you again.
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I tried for about two semesters in a preparatory seminary. But I was about 15 and didn't fully understand what a vocation means.
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More than ninety percent of directing a picture is the right casting
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If you’re looking for the origins of film culture in America, look no further than Amos Vogel.
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I'm not a Hollywood director. I'm an in spite of Hollywood director.
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Your job is to get your audience to care about your obsessions.
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The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture.
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I wouldn't presume to be God's point of view.
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People want to classify and say, 'OK, this is a gangster film.' 'This is a Western.' 'This is a... ' You know? It's easy to classify and it makes people feel comfortable, but it doesn't matter, it doesn't really matter.
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I'm in a different chapter of my life. As time goes by and I grow older, I find that I need to just be quiet and think. There have been periods when I've locked myself away for days, but now it's different - I'm married and we have a daughter who is in my office the whole time.
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Film in the 20th century, it's the American art form, like jazz.
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If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script.
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You've got to protect whatever creative talent you have left.
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