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The storyboard for me is the way to visualise the entire movie in advance.

Martin Scorsese

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Martin Scorsese
Age: 81
Born: 1942
Born: November 17
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Voice Actor
Queens
New York
Martin Skorseze
Martin Charles Scorsese
Visualise
Storyboard
Advance
Entire
Movie
Way

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More than ninety percent of directing a picture is the right casting
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I just wanted to be an ordinary parish priest.
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The most important thing is the script.
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In truly great films - the ones that people need to make, the ones that start speaking through them, the ones that keep moving into territory that is more and more unfathomable and uncomfortable - nothing's ever simple or neatly resolved. You're left with a mystery.
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There must be people who remember World War II and the Holocaust who can help us get out of this rut.
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You gotta understand, when moving images first started, people wanted sound, color, big screen and depth.
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Oh, the foghorns... even the foghorns, they're all brass. It's something by Ingrid Marshal called Fog Tropes. It's not a sound effect. It's an actual piece of music. If you listen to what's going on after he has a flashback about his wife you'll hear... it sounds like the humpback whales in a way. But it's all music. And we use it again later, too.
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I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.
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Hong Kong cinema is something you can't duplicate anyway.
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Watching a Kubrick film is like gazing up at a mountaintop. You look up and wonder, how could anyone have climbed that high?
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I don't know how else to tell the story except to utilise that vocabulary: the rain, the darkness, the mansions, the framing, etc, the lighting and that sort of thing.
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Movies touch our hearts, and awaken our vision, and change the way we see things. They take us to other places. They open doors and minds. Movies are the memories of our lifetime. We need to keep them alive.
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More personal films, you could make them, but your budgets would be cut down.
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If everything moves along and there are no major catastrophes we're basically headed towards holograms.
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Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence of shows like 'The Sopranos.'
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Sometimes when you're heavy into the shooting or editing of a picture, you get to the point where you don't know if you could ever do it again.
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Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
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I grew up in the Lower East Side, an Italian American - more Sicilian, actually.
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There are times when you have to face your enemies, sit down and deal with it.
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I didn't realize there are generations who do not know about the origins of film.
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