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I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on.
Martin Scorsese
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Martin Scorsese
Age: 82
Born: 1942
Born: November 17
Actor
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Martin Skorseze
Martin Charles Scorsese
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More quotes by Martin Scorsese
Well the thing is that the New York of 1846 to 1862 was very different from downtown New York now. Really nothing from that period still exists in New York.
Martin Scorsese
I think if you think of yourself as religious and if you're given a gift, some may not think it's that great a gift - some critics. But others might, you know. So you say, look - whether it's good, bad or indifferent, this is what I do.
Martin Scorsese
I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.
Martin Scorsese
Our world is so glutted with useless information, images, useless images, sounds, all this sort of thing. It's a cacophony, it's like a madness I think that's been happening in the past twenty-five years. And I think anything that can help a person sit in a room alone and not worry about it is good.
Martin Scorsese
Being a father at a later age is different from when I had my other two daughters when I was in my 20s and 30s. If you're in your 60s and you're with the kid every day, you're dealing with the mind of a child, so it opens up that childishness in you again.
Martin Scorsese
The vampire thing always works for some reason. Always works.
Martin Scorsese
In truly great films - the ones that people need to make, the ones that start speaking through them, the ones that keep moving into territory that is more and more unfathomable and uncomfortable - nothing's ever simple or neatly resolved. You're left with a mystery.
Martin Scorsese
The storyboard for me is the way to visualise the entire movie in advance.
Martin Scorsese
Vertigo is probably my favourite Hitchcock film and probably one of my favourite films of all time. It's a film that I'm obsessed with. I saw it on its first release in vista vision, projected in vista-vision, at the Capitol Theatre in New York. That moment when the nun comes up in the end... it's just an extraordinary shot.
Martin Scorsese
An interviewer once asked me to discuss my collaboration with Elmer Bernstein, and precisely why I chose to work with him. My first thought was: How could I not work with Elmer, when I had the chance? Simply put, he's the best there is-the very best.
Martin Scorsese
If I'm not complaining, I'm not having a good time, hah hah!
Martin Scorsese
Always get to the set or the location early, so that you can be all alone and draw your inspiration for the blocking and the setups in private and quiet.
Martin Scorsese
Sometimes God picks you up and tells you, You've been messing around now. You're going to have to stop this, stop that, but I'll give you another chance. And you wonder why you're given another chance. It must be for something it must be to celebrate life.
Martin Scorsese
I know that I come from mid-20th century America, urban, specifically downtown New York, specifically an Italian-American area, Roman Catholic - that's who I am. And a part of what I know is there's a decency to people who tried to make a living in the kind of world that was around us and also the Skid Row area of the Bowery it impressed me.
Martin Scorsese
Watching a Kubrick film is like gazing up at a mountaintop. You look up and wonder, how could anyone have climbed that high?
Martin Scorsese
You gotta understand, when moving images first started, people wanted sound, color, big screen and depth.
Martin Scorsese
Film in the 20th century, it's the American art form, like jazz.
Martin Scorsese
As you grow older, you change.
Martin Scorsese
Mean Streets dealt with the American Dream, according to which everybody thinks they can get rich quick, and if they can't do it by legal means then they'll do it by illegal ones.
Martin Scorsese
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Martin Scorsese
