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There must be people who remember World War II and the Holocaust who can help us get out of this rut.
Martin Scorsese
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Martin Scorsese
Age: 81
Born: 1942
Born: November 17
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Voice Actor
Queens
New York
Martin Skorseze
Martin Charles Scorsese
Holocaust
Help
War
Helping
Remember
Must
World
Ruts
People
Genocide
More quotes by Martin Scorsese
Could you double-check the envelope?
Martin Scorsese
DAYS THAT I'LL REMEMBER is a lovingly assembled and beautifully written collection of conversations, observations, and memories of music, friendship, and days gone by. It's good to be back again with John Lennon, his beloved Yoko Ono, and his trusted chronicler and friend Jonathan Cott.
Martin Scorsese
Every scene is a lesson. Every shot is a school. Let the learning continue.
Martin Scorsese
I don't like being in houses alone.
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The term 'giant' is used too often to describe artists. But in the case of Akira Kurosawa, we have one of the rare instances where the term fits.
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I know that I come from mid-20th century America, urban, specifically downtown New York, specifically an Italian-American area, Roman Catholic - that's who I am. And a part of what I know is there's a decency to people who tried to make a living in the kind of world that was around us and also the Skid Row area of the Bowery it impressed me.
Martin Scorsese
Film in the 20th century, it's the American art form, like jazz.
Martin Scorsese
Sometimes God picks you up and tells you, You've been messing around now. You're going to have to stop this, stop that, but I'll give you another chance. And you wonder why you're given another chance. It must be for something it must be to celebrate life.
Martin Scorsese
I still dislike phones, yeah!
Martin Scorsese
We cannot burn Mick Jagger. We want the effect, but we can't burn him.
Martin Scorsese
If we just sit and exist, and understand that, I think it will be helpful in a world that seems like a record that's going faster and faster, we're spinning off the edge of the universe.
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An interviewer once asked me to discuss my collaboration with Elmer Bernstein, and precisely why I chose to work with him. My first thought was: How could I not work with Elmer, when I had the chance? Simply put, he's the best there is-the very best.
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Well the thing is that the New York of 1846 to 1862 was very different from downtown New York now. Really nothing from that period still exists in New York.
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I always tell the younger filmmakers and students: Do it like the painters used to...Study they old masters. Enrich your palette. Expand the canvas. There's always so much more to learn.
Martin Scorsese
I was saying as a joke the other day that I love film editing, I know how to cut a picture, I think I know how to shoot it, but I don't know how to light it. And I realize it's because I didn't grow up with light. I grew up in tenements.
Martin Scorsese
Oh, the foghorns... even the foghorns, they're all brass. It's something by Ingrid Marshal called Fog Tropes. It's not a sound effect. It's an actual piece of music. If you listen to what's going on after he has a flashback about his wife you'll hear... it sounds like the humpback whales in a way. But it's all music. And we use it again later, too.
Martin Scorsese
If I'm not complaining, I'm not having a good time, hah hah!
Martin Scorsese
There was always a part of me that wanted to be an old-time director. But I couldn't do that. I'm not a pro.
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Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.
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One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the research of gangs in New York City, seems to have allowed crime figures at the time, like Luciano, Capone, Torrio and Rothstein, to organize to become more powerful, which pulled all the way through until the '70s.
Martin Scorsese