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More personal films, you could make them, but your budgets would be cut down.
Martin Scorsese
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Martin Scorsese
Age: 81
Born: 1942
Born: November 17
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Voice Actor
Queens
New York
Martin Skorseze
Martin Charles Scorsese
Make
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Budgets
Films
Cutting
Personal
Film
More quotes by Martin Scorsese
I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.
Martin Scorsese
An interviewer once asked me to discuss my collaboration with Elmer Bernstein, and precisely why I chose to work with him. My first thought was: How could I not work with Elmer, when I had the chance? Simply put, he's the best there is-the very best.
Martin Scorsese
I just wanted to be an ordinary parish priest.
Martin Scorsese
I don't like being in houses alone.
Martin Scorsese
Young film makers should learn how to deal with the money and learn how to deal with the power structure. Because it is like a battle.
Martin Scorsese
The storyboard for me is the way to visualise the entire movie in advance.
Martin Scorsese
There is something particularly unique about the films of Hong Sang-soo...it's got to do with his masterful sense of storytelling... as the critic Manny Farber once said of Hitchcock's ROPE Hong Sang-soo's pictures unpeel like an orange.
Martin Scorsese
If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script.
Martin Scorsese
If everything moves along and there are no major catastrophes we're basically headed towards holograms.
Martin Scorsese
I'm in a different chapter of my life. As time goes by and I grow older, I find that I need to just be quiet and think. There have been periods when I've locked myself away for days, but now it's different - I'm married and we have a daughter who is in my office the whole time.
Martin Scorsese
One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the research of gangs in New York City, seems to have allowed crime figures at the time, like Luciano, Capone, Torrio and Rothstein, to organize to become more powerful, which pulled all the way through until the '70s.
Martin Scorsese
I don't know how else to tell the story except to utilise that vocabulary: the rain, the darkness, the mansions, the framing, etc, the lighting and that sort of thing.
Martin Scorsese
The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture.
Martin Scorsese
The most important thing is, how can I move forward towards something that I can't articulate, that is new in storytelling with moving images and sound?
Martin Scorsese
Our world is so glutted with useless information, images, useless images, sounds, all this sort of thing. It's a cacophony, it's like a madness I think that's been happening in the past twenty-five years. And I think anything that can help a person sit in a room alone and not worry about it is good.
Martin Scorsese
I didn't realize there are generations who do not know about the origins of film.
Martin Scorsese
The only thing I really wanted was the freedom to be able to get what I want on film. I’ve dealt with the MPAA since 1973, so I know how to renegotiate and rework.
Martin Scorsese
I think if you think of yourself as religious and if you're given a gift, some may not think it's that great a gift - some critics. But others might, you know. So you say, look - whether it's good, bad or indifferent, this is what I do.
Martin Scorsese
I tried for about two semesters in a preparatory seminary. But I was about 15 and didn't fully understand what a vocation means.
Martin Scorsese
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Martin Scorsese
