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If everything moves along and there are no major catastrophes we're basically headed towards holograms.

Martin Scorsese

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Martin Scorsese
Age: 81
Born: 1942
Born: November 17
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Voice Actor
Queens
New York
Martin Skorseze
Martin Charles Scorsese
Majors
Major
Towards
Holograms
Along
Catastrophes
Moving
Headed
Everything
Catastrophe
Moves
Basically

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I don't agree with everything he did in his life, but we're dealing with this Howard Hughes, at this point. And also ultimately the flaw in Howard Hughes, the curse so to speak.
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I also saw the Dalai Lama a few times.
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I didn't realize there are generations who do not know about the origins of film.
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I accept all awards. I like them.
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I was saying as a joke the other day that I love film editing, I know how to cut a picture, I think I know how to shoot it, but I don't know how to light it. And I realize it's because I didn't grow up with light. I grew up in tenements.
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Violence is not the answer, it doesn’t work any more. We are at the end of the worst century in which the greatest atrocities in the history of the world have occurred... The nature of human beings must change. We must cultivate love and compassion.
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I've seen many, many movies over the years, and there are only a few that suddenly inspire you so much that you want to continue to make films.
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I still dislike phones, yeah!
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Music and film are inseparable. They always have been and always will be.
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Young film makers should learn how to deal with the money and learn how to deal with the power structure. Because it is like a battle.
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Hong Kong cinema is something you can't duplicate anyway.
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Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.
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There is something particularly unique about the films of Hong Sang-soo...it's got to do with his masterful sense of storytelling... as the critic Manny Farber once said of Hitchcock's ROPE Hong Sang-soo's pictures unpeel like an orange.
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Being a father at a later age is different from when I had my other two daughters when I was in my 20s and 30s. If you're in your 60s and you're with the kid every day, you're dealing with the mind of a child, so it opens up that childishness in you again.
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The only way I was able to defend myself was to be able to take punishment. Then I got a lot of respect. They said, Oh, he's okay, he can take it. Don't hit him. The guys were pretty big, and I had asthma.
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There's no such thing as simple. Simple is hard.
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The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture.
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As you grow older, you change.
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Oh, the foghorns... even the foghorns, they're all brass. It's something by Ingrid Marshal called Fog Tropes. It's not a sound effect. It's an actual piece of music. If you listen to what's going on after he has a flashback about his wife you'll hear... it sounds like the humpback whales in a way. But it's all music. And we use it again later, too.
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I just wanted to be an ordinary parish priest.
Martin Scorsese