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Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.

Martin Scorsese

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Martin Scorsese
Age: 82
Born: 1942
Born: November 17
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Voice Actor
Queens
New York
Martin Skorseze
Martin Charles Scorsese
Like
Visionaries
Obsession
Obsessed
Flying
Speed
Loved
Hughes
Idea
Visionary
Ideas
Howard

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Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence of shows like 'The Sopranos.'
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My father had this mythological sense of the old New York, and he used to tell me stories about these old gangs, particularly the Forty Thieves in the Fourth Ward.
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I grew up in the Lower East Side, an Italian American - more Sicilian, actually.
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Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.
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I'm trying to find out what the hell we - who we are.
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During Prohibition, Atlantic City created the idea of the speakeasy, which turned into nightclubs and that extraordinary political complexity and corruption coming out of New Jersey at the time. The long hand that they had-and maybe still do-even had to do with presidential elections.
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I was saying as a joke the other day that I love film editing, I know how to cut a picture, I think I know how to shoot it, but I don't know how to light it. And I realize it's because I didn't grow up with light. I grew up in tenements.
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I didn't realize there are generations who do not know about the origins of film.
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Every scene is a lesson. Every shot is a school. Let the learning continue.
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Sometimes God picks you up and tells you, You've been messing around now. You're going to have to stop this, stop that, but I'll give you another chance. And you wonder why you're given another chance. It must be for something it must be to celebrate life.
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I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.
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You've got to protect whatever creative talent you have left.
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I'm not a Hollywood director. I'm an in spite of Hollywood director.
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Young film makers should learn how to deal with the money and learn how to deal with the power structure. Because it is like a battle.
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Being a father at a later age is different from when I had my other two daughters when I was in my 20s and 30s. If you're in your 60s and you're with the kid every day, you're dealing with the mind of a child, so it opens up that childishness in you again.
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When I'm making a film, I'm the audience.
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The most important thing is the script.
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The only thing I really wanted was the freedom to be able to get what I want on film. I’ve dealt with the MPAA since 1973, so I know how to renegotiate and rework.
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I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on.
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People want to classify and say, 'OK, this is a gangster film.' 'This is a Western.' 'This is a... ' You know? It's easy to classify and it makes people feel comfortable, but it doesn't matter, it doesn't really matter.
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