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Choosing sepia is all to do with trying to make the image look romantic and idealistic. It's sort of a soft version of propaganda.

Martin Parr

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Martin Parr
Age: 72
Born: 1952
Born: May 23
Actor
Artist
Cinematographer
Deltiologist
Director
Journalist
Photographer
Photojournalist
Epsom
Surrey
Martin Paar
Looks
Version
Trying
Propaganda
Make
Soft
Versions
Romantic
Image
Sepia
Sort
Idealistic
Look
Choosing

More quotes by Martin Parr

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I get up early and open my emails, write cheques and answer the phone whatever needs to be done.
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I am what I photograph.
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When I first started learning how to take photographs, you had to spend the first six months figuring out what an f-stop was. Now you just go and take pictures.
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Unless it hurts, unless there’s some vulnerability there, I don’t think you’re going to get good photographs.
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Tourism is the biggest industry in the world.
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Dictators are interesting, no?
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Wealthy people have not disappeared, they are just not so willing to show off their wealth.
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I am not as cross about Thatcher now as I was in the 80s. Begrudgingly, I can see that some of her policies helped modernise Britain.
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Everyone is a photographer now, remember. That's the great thing about photography.
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I am kept awake by the list of possibilities for shooting more photos and deciding what I must prioritise next.
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Part of the role of photography is to exaggerate, and that is an aspect that I have to puncture. I do that by showing the world as I really find it.
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As artists get wealthier and more famous, often their work gets worse... I'm fascinated by the decline of artists. I suspect I'll be in decline myself. It's a fact of life.
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Taking photos is a form of collecting.
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I am away so much, so I rarely see live TV, but I use iPlayer to catch programmes.
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My black-and-white work is more of a celebration and the color work became more of a critique of society.
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I do read many of the photography magazines from the UK and abroad.
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I avoid Facebook, LinkedIn and Twitter, and if I need to communicate with someone, I email direct.
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There are two parts to the process: taking the picture and finding ways of using it.
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I always take photographs when I attend a funeral. Most people there know who I am and expect me to be there with my camera.
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If you photograph for a long time, you get to understand such things as body language. I often do not look at people I photograph, especially afterwards. Also when I want a photo, I become somewhat fearless, and this helps a lot. There will always be someone who objects to being photographed, and when this happens you move on.
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