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I am not as cross about Thatcher now as I was in the 80s. Begrudgingly, I can see that some of her policies helped modernise Britain.

Martin Parr

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Martin Parr
Age: 72
Born: 1952
Born: May 23
Actor
Artist
Cinematographer
Deltiologist
Director
Journalist
Photographer
Photojournalist
Epsom
Surrey
Martin Paar
Britain
Cross
Crosses
Policy
Begrudgingly
Thatcher
Policies
Helped

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I avoid Facebook, LinkedIn and Twitter, and if I need to communicate with someone, I email direct.
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Taking photos is a form of collecting.
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As artists get wealthier and more famous, often their work gets worse... I'm fascinated by the decline of artists. I suspect I'll be in decline myself. It's a fact of life.
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You have to take a lot of bad pictures. Dont' be afraid to take bad pictures... You have to take a lot of bad pictures in order to know when you've got a good one.
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Unless it hurts, unless there’s some vulnerability there, I don’t think you’re going to get good photographs.
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Everyone is a photographer now, remember. That's the great thing about photography.
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I am away so much, so I rarely see live TV, but I use iPlayer to catch programmes.
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Tourism is the biggest industry in the world.
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You can't learn passion, either you've got it or you haven't.
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We are drowning in images. Photography is used as a propaganda tool, which serves to sell products and ideas. I use the same approach to show aspects of reality.
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I looked around at what my colleagues were doing, and asked myself, 'What relationship has it with what's going on?' I found there was a great distortion of contemporary life. Photographers were interested only in certain things. A visually interesting place, people who were either very rich or very poor, and nostalgia.
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Nobody thinks about technical issues anymore because cameras or camera phones take care of that automatically. On the other hand, you still have the option of controlling every technical aspect. It's the most accessible, democratic medium available in the world.
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Part of the role of photography is to exaggerate, and that is an aspect that I have to puncture. I do that by showing the world as I really find it.
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My black-and-white work is more of a celebration and the color work became more of a critique of society.
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I am what I photograph.
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Criticism is hypocrisy society is hypocrisy. I'm a tourist. I'm a consumer. I do the things that I photograph and can be criticized of.
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I do read many of the photography magazines from the UK and abroad.
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I am kept awake by the list of possibilities for shooting more photos and deciding what I must prioritise next.
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I get up early and open my emails, write cheques and answer the phone whatever needs to be done.
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Photos tend to organize chaos, to define what we're doing here. It is essential that individuals' voices depict the world around us, as we are increasingly controlled by large institutions, large companies and large systems.
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