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I never feel like a smug or a smart-alec film director, and there are plenty of those around.

Martin McDonagh

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Martin McDonagh
Age: 54
Born: 1970
Born: March 26
Author
Director
Film Director
Playwright
Screenwriter
Theatrical Director
Writer
London
England
Around
Feel
Smug
Feels
Alec
Never
Plenty
Like
Director
Directors
Smart
Film

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My plays are always pushing towards cinema anyway. They're down and dirty, real and more fun.
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I hope there's some kind of morality in all my work.
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I realize that I am never going to grow up.
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It doesn't feel like you're preaching, if you can say something in a joke.
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An Irishman I am, begora! With a heart and a spirit on me not crushed be a hundred years of oppression. I'll be getting me shillelagh out next, wait'll you see.
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It isn't about being or not being dead, it's about what you leave behind
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Though it may not seem like it, I never try to write about a place, per se it's always, first and last, about story. Story is everything. Story and a bit of attitude.
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If you've got time to waste, you might as well waste it listening to people.
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It's the periods and the commas that you have to forget about. The words never change, but the intonations change.
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I never really tell anyone what I'm writing beforehand because I usually don't know what it will be.
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I'd just like to thank everybody who was involved in the film, especially Brendan Gleeson and Ruaidhrí Conroy. And Ruaidhrí, I'm sorry that you couldn't be here tonight but I hope next time, if they let you into the country.
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I seldom feel comfortable in a theatre. I always feel like I own a cinema. I feel equally happy in an empty one as a full one. Probably happier in an empty one!
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When you've got good actors, they're going to come up with good stuff, but you're never quite sure how the dynamics are going to work between them.
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I don't feel I have to defend myself for being English or for being Irish, because, in a way, I don't feel either. And, in another way, of course, I'm both.
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I think as a writer you never have to flee from fame because you're not that visible in the first place, but, after the Broadway success of 'Beauty Queen,' people were coming up to me all the time, and I wasn't really prepared for that level of attention.
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Dublin people think they are the center of the world and the center of Ireland. And they don't realize that people have to leave Ireland to get work, and they look down on people who do.
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I think if you're writing a play, it should be its own end game you'll never get to do a good one unless you know it's not a blueprint for a film you're not going to get the action right and the story right.
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