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If you go into the eastern bloc countries we are huge, and in Russia. Maybe there is something about the depressing nature of our music and lyrics that some people find an affinity with.

Martin Gore

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Martin Gore
Age: 63
Born: 1961
Born: July 23
Composer
Guitarist
Musician
Singer
Singer-Songwriter
Songwriter
London
England
Martin Lee Gore
Martin L. Gore
Huge
Maybe
Bloc
Nature
Affinity
Music
Depressing
Find
Lyrics
Country
Eastern
Something
Russia
People
Countries

More quotes by Martin Gore

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People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song.
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I don't like to think 10 years down the road.
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If you repeat yourself, then I think you're in danger of losing that fan base, because if you're not interesting yourselves, you're not interesting your audience.
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More than accepted, it's encouraged for rock stars to be out of control.
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I don't write poems and put them to music. Just let things flow.
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I think being in a band is probably the only job when you're actively encouraged to be out of it most of the time.
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I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
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I lead two totally separate lives. There are times when I have to slip into rock star mode.
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I was born with the wrong sign In the wrong house With the wrong ascendancy I took the wrong road That led to The wrong tendencies I was in the wrong place At the wrong time For the wrong reason And the wrong rhyme On the wrong day Of the wrong week Used the wrong method With the wrong technique Wrong Wrong.
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I sit down and create atmospheres, start playing guitar or piano and just sing whatever comes out of my mouth.
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Songwriting is a mysterious art. When I sit down to write a song, the end result should be mysterious and have this dark quality.
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I try to get a degree of realism in my music.
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I live in Santa Barbara. My wife's American, and she lived in England for 11 years and then told me she'd had enough.
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Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs taking them in different directions.
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I started getting back into buying old analog gear while we were recording. Lots of old drum machines and synths. It wasn't a conscious thing. I didn't consider myself a collector, but boxes of vintage gear would turn up virtually every day.
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The only things we have to worry about are really stupid things.
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When I write love songs, people think they're really soppy - but I see love as a consolation for the boredom of life.
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I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.
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For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
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I tend to like songs that are very emotional, that strike a chord with me emotionally.
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