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As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.

Martin Gore

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Martin Gore
Age: 63
Born: 1961
Born: July 23
Composer
Guitarist
Musician
Singer
Singer-Songwriter
Songwriter
London
England
Martin Lee Gore
Martin L. Gore
Songs
Prolific
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Songwriter
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Depeche

More quotes by Martin Gore

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People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song.
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I live in Santa Barbara. My wife's American, and she lived in England for 11 years and then told me she'd had enough.
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More than accepted, it's encouraged for rock stars to be out of control.
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There's something insane about this business - about the cycle of making albums and going on tour to promote them.
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I don't like to think 10 years down the road.
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If you go into the eastern bloc countries we are huge, and in Russia. Maybe there is something about the depressing nature of our music and lyrics that some people find an affinity with.
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I always hate explaining away songs, because for me they mean something, and for other people, they'll mean something absolutely different.
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Songwriting is a mysterious art. When I sit down to write a song, the end result should be mysterious and have this dark quality.
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England never felt claustrophobic for me at all. I think it would feel more difficult for me if I lived in mainland Europe. America I think is really easy because Los Angeles has film stars everywhere and musicians and Santa Barbara a lot of people have homes there even if they don't live there. You are kind of inconsequential, no one cares.
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I don't write poems and put them to music. Just let things flow.
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I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.
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Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs taking them in different directions.
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If you repeat yourself, then I think you're in danger of losing that fan base, because if you're not interesting yourselves, you're not interesting your audience.
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I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
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For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
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I think being in a band is probably the only job when you're actively encouraged to be out of it most of the time.
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I wanted to keep the music very electronic, very filmic, and give it an almost sci-fi like quality. Music is a necessity for me. I go into the studio at least five days a week, every week, so once I had the idea and the template, the process was quick and fun.
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I like their darkness but I also like the pop-side of the Velvet Underground.
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There haven't been many credible electronic covers records.
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I wasn't ever a massive David Essex fan, but I liked a few of his tracks, and Stardust was one of them.
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