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The Uruguayans have a sort of purity. I don't know where they got it, and I doubt even if they know from where they got it. Perhaps they didn't kill off their major population.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Major
Population
Kill
Perhaps
Doubt
Sort
Didn
Purity
Even

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Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.
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When you’ve lost all your play, guess what love becomes. Work. Work that gets harder every hour.
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Someone watches over us when we write. Mother. Teacher. Shakespeare. God.
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Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
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When things are going well, you do have the sense that what you’re writing is being fed to you in some way. Auden compared writing a poem to cleaning an old piece of slate until the letters appear. The only way you could reveal your god is perhaps under hypnosis. It’s sacred and it’s secret, even to the writer.
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It used to be said that by a certain age a man had the face that he deserved. Nowadays, he has the face he can afford.
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We hear about the successful Texanisation of the Republican party. And doesn't Texas sometimes seem to resemble a country like Saudi Arabia, with its great heat, its oil wealth, its brimming houses of worship, and its weekly executions?
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I think a lot of people who read fiction are interested in subtlety. But they wouldn't like my stuff. It's a bit too violent for many tastes.
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We all have names we don't know about.
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My belief is that everything that's written about you is actually secondary showbiz nonsense, and you shouldn't take any notice of it.
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When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
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It's good fun to create an unpredictable character. When he comes into the room, I don't know what he's going to do - I have to find my way.
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No novel has ever changed anything, as far as I can see. And the great satirists, like Swift and Dickens, tend to write about abuses and injustices that have already been partially corrected - you write about it after it's over.
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In my experience of fights and fighting, it is invariably the aggressor who keeps getting everything wrong.
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Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
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You cannot combine being a movie star with not being a movie star.
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Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
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