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There's Chile and there's Uruguay, and no one quite knows why Uruguay is so appealingly selfless because they've had their terror and their revolution like all the rest. But somehow, there's something in them.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Rest
Quite
Something
Uruguay
Like
Chile
Selfless
Terror
Somehow
Revolution

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The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head.
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Every 10 years you're a different person, and the really great books evolve with you as you get older. They're full of new rewards.
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Very broadly, literature concerns itself with the internal, cinema with the external.
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When you’ve lost all your play, guess what love becomes. Work. Work that gets harder every hour.
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Tennis: the most perfect combination of athleticism, artistry, power, style, and wit. A beautiful game, but one so remorselessly travestied by the passage of time.
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As someone once said, covers to a novel are like bars to a cage. You can watch the tiger, the Komodo dragon, and admire it - its heart, its severity. Even when they carry out an ugly act, it's still fascinating.
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I am, incidentally, the only writer to have received the Somerset Maugham award twice - the first time for my first novel, the second time for my second first novel.
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I think a lot of people who read fiction are interested in subtlety. But they wouldn't like my stuff. It's a bit too violent for many tastes.
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Love might have expanded her. But we are not all of us going to get loved. We are not all of us going to get expanded.
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Most writers need a wound, either physical or spiritual.
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...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?
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I would say I'm an ironist not a satirist. All you do is you take existing tendencies and crank them up, just turn up the volume dial. Which is a technique of science fiction, apart from anything else.
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When things are going well, you do have the sense that what you’re writing is being fed to you in some way. Auden compared writing a poem to cleaning an old piece of slate until the letters appear. The only way you could reveal your god is perhaps under hypnosis. It’s sacred and it’s secret, even to the writer.
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Faith is a talent, and it goes the way of all your talents. Getting old is the subtraction of your powers. Which very much goes for writing.
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Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
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It's often said of American politics that it's a huge juggernaut and the president can change the direction by two or three degrees in either direction, but not much more. In fact, I think the president's power is limited, much more than the prime minister in England.
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Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.
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When I go back to the core of my childhood, my cousin Lucy seems always to be in the peripheral vision of my memories. She is off to one side, always off to one side, with a book, with a scheme or a project or an enterprise.
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We hear about the successful Texanisation of the Republican party. And doesn't Texas sometimes seem to resemble a country like Saudi Arabia, with its great heat, its oil wealth, its brimming houses of worship, and its weekly executions?
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While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw--that of outright unreadability.
Martin Amis