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There isn't what my father called the cruising hostility of the English press - where they're looking around for something to attack. You don't feel that there's a great reservoir of resentment in the press as you do in England.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Father
Resentment
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Feel
Presses
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English
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The arms race is a race between nuclear weapons and ourselves.
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You get the feeling that childhood does not last as long as it used to. Innocence gets harder to hold on to as the world gets older, as it accumulates more experience, more mileage and more blood on the tracks.
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When the past is forgotten, the present is unforgettable
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At its grandest, political correctness is an attempt to accelerate evolution.
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Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.
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The future could go this way, that way. The future's futures have never looked so rocky. Don't put money on it. Take my advice and stick to the present. It's the real stuff, the only stuff, it's all there is, the present, the panting present.
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We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.
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Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
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Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
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The satirist isn't just looking at things ironically but militantly - he wants to change them, and intends to have an effect on the world.
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Like fundamentalist Judaism and medieval Christianity, Islam is totalist. That is to say, it makes a total claim on the individual.
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So if you ever felt something behind you, when you weren't even one, like welcome heat, like a bulb, like a sun, trying to shine right across the universe - it was me. Always me. It was me. It was me.
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Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
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I would never write about someone that forced me to write at a lower register than what I can write.
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On any longer view, man is only fitfully committed to the rational -- to thinking, seeing, learning, knowing. Believing is what he's really proud of.
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Most writers need a wound, either physical or spiritual.
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No-one is going to sit down and read Bleak House to the family any more, but they can all huddle up happily in front of Charles Bronson.
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How incredibly avaricious the whole operation was, the way they made the Jews pay for their tickets in the railway cars to the death camps. Yeah, and the rates for a third-class ticket, one way. And half price for children.... It was a kind of exploration of evil. Just how bad can we get?
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We hear about the successful Texanisation of the Republican party. And doesn't Texas sometimes seem to resemble a country like Saudi Arabia, with its great heat, its oil wealth, its brimming houses of worship, and its weekly executions?
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I'm afraid the negative things are always the great subjects. Failure is much more interesting than success.
Martin Amis