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The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Thinking
Fine
Middle
Inventive
Class
Incredibly
Working
Witty
Everyone
Mets
Going
Poetry
Love
Gets
Think
Fiction

More quotes by Martin Amis

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Probably human cruelty is fixed and eternal. Only styles change.
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You cannot combine being a movie star with not being a movie star.
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Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.
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It's becoming clearer and clearer to me that the world is there to be celebrated by writers, and in fact this is what all the good ones do, and that the great fashion for gloom and grimness was in fact a false path that certain writers took, I think in response to the horrors of the first half of the twentieth century.
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Present-day Spain translates as many books into Spanish, annually, as the Arab world has translated into Arabic in the past 1,100 years.
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So if you ever felt something behind you, when you weren't even one, like welcome heat, like a bulb, like a sun, trying to shine right across the universe - it was me. Always me. It was me. It was me.
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Gluttony and sloth, as worldly goals, were quietly usurped by avarice and lust, which, together with poetry (yes, poetry), consumed all my free time.
Martin Amis
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It's tremendously important how you get on with the other sex. Your life record on that is incredibly important. You never really think about any of your other achievements.
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Weapons are like money no one knows the meaning of enough.
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If you want to know the real meaning of pornography, it is the utter dissociation of love and sex, the banishment of love from the sexual arena.
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The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
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It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.
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There isn't what my father called the cruising hostility of the English press - where they're looking around for something to attack. You don't feel that there's a great reservoir of resentment in the press as you do in England.
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Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
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Sex was like Disneyland to her: an allotment of organized wonders and legal mischief.
Martin Amis
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Has it ever happened to you...? The color of the day suddenly changes to shadow. And you know you're going to remember that moment for the rest of your life.
Martin Amis
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It is straightforward — and never mind, for now, about plagues and famines: if God existed, and if he cared for humankind, he would never have given us religion.
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When you’ve lost all your play, guess what love becomes. Work. Work that gets harder every hour.
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I say the sentences again and again in my head until they sound right.
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The air itself was ebony, like the denial, the refutation, of the idea of light.
Martin Amis