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My belief is that everything that's written about you is actually secondary showbiz nonsense, and you shouldn't take any notice of it.
Martin Amis
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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Take
Secondary
Nonsense
Notice
Shouldn
Written
Belief
Actually
Everything
Showbiz
More quotes by Martin Amis
Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.
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Weapons are like money no one knows the meaning of enough.
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If you want to know the real meaning of pornography, it is the utter dissociation of love and sex, the banishment of love from the sexual arena.
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[On STDs] This be Nature’s way of recommending monogamy.
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It's a young country and a German only feels comfortable being with the masses. They have very little talent at creating an inner life, privacy. And I think there must be something wrong.
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So if you ever felt something behind you, when you weren't even one, like welcome heat, like a bulb, like a sun, trying to shine right across the universe - it was me. Always me. It was me. It was me.
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We all have names we don't know about.
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Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
Martin Amis
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
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The first thing that distinguishes a writer is that he is most alive when alone.
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The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head.
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We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.
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The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there.
Martin Amis
Gluttony and sloth, as worldly goals, were quietly usurped by avarice and lust, which, together with poetry (yes, poetry), consumed all my free time.
Martin Amis
It's often said of American politics that it's a huge juggernaut and the president can change the direction by two or three degrees in either direction, but not much more. In fact, I think the president's power is limited, much more than the prime minister in England.
Martin Amis
Kingsley Amis was a lenient father. His paternal style, in the early years, can best be described as amiably minimalist - in other words, my mother did it all.
Martin Amis
Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.
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Style is not neutral it gives moral directions.
Martin Amis
The satirist isn't just looking at things ironically but militantly - he wants to change them, and intends to have an effect on the world.
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It's good fun to create an unpredictable character. When he comes into the room, I don't know what he's going to do - I have to find my way.
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