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My belief is that everything that's written about you is actually secondary showbiz nonsense, and you shouldn't take any notice of it.
Martin Amis
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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Belief
Actually
Everything
Showbiz
Take
Secondary
Nonsense
Notice
Shouldn
Written
More quotes by Martin Amis
My literary career kicked off in 1956 when, as a resident of Swansea, South Wales, I published my first novel, 'Lucky Jim.
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Novelists are stamina merchants, grinders, nine-to-fivers, and their career curves follow the usual arc of human endeavour.
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It was the tiredness of time lived, with its days and days. It was the tiredness of gravity- gravity, which wants you down in the center of the earth.
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The true manipulator never has a reputation for manipulating.
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For myself and my loved ones, I want the heat, which comes at the speed of light. I don't want to have to hang about for the blast, which idles along at the speed of sound.
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It is terrible to see someone being beaten up by the English language.
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I'm afraid the negative things are always the great subjects. Failure is much more interesting than success.
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Life is made of fear. Some people eat fear soup three times a day. Some people eat fear soup all the meals there are. I eat it sometimes. When they bring me fear soup to eat, I try not to eat it, I try to send it back. But sometimes I'm too afraid to and have to eat it anyway.
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Amis is acutely, vibrantly sensitive to the different registers of laughter. He knows that it can be the most affirming and uniquely human sound, and also the most sinister and animalistic one. He understands every note of every octave that separates the liberating shout of mirth from the cackle of a bully or the snigger of a sadist.
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The arms race is a race between nuclear weapons and ourselves.
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Perhaps there are other bits of my life that would take on content, take on shadow, if only I read more and thought less about money.
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My 12-year-old daughter said to me, Enough with the subtitles, Daddy, for crying out loud. Because they always seem to cloud the issue rather than clarify it.
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Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.
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It's tremendously important how you get on with the other sex. Your life record on that is incredibly important. You never really think about any of your other achievements.
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At its grandest, political correctness is an attempt to accelerate evolution.
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You use a different part of your heart with girls.
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Sex was like Disneyland to her: an allotment of organized wonders and legal mischief.
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