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But before we face experience, that miserable enemy, let us have some more innocence, just for a while.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Innocence
Miserable
Enemy
Face
Faces
Experience

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Amis is acutely, vibrantly sensitive to the different registers of laughter. He knows that it can be the most affirming and uniquely human sound, and also the most sinister and animalistic one. He understands every note of every octave that separates the liberating shout of mirth from the cackle of a bully or the snigger of a sadist.
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I would never write about someone that forced me to write at a lower register than what I can write.
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While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw--that of outright unreadability.
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When it comes to flying, I am a nervous passenger but a confident drinker and Valium-swallower.
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It's without doubt my main subject. The way masculinity can go wrong. And I'm something of a gynocrat in a utopian kind of way.
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No-one is going to sit down and read Bleak House to the family any more, but they can all huddle up happily in front of Charles Bronson.
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I'm not interested in making a diagnostic novel or a concern. I'm 100 percent committed in fiction to the pleasure principle - that's what fiction is, and should be.
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I can imagine in a century or two that rule by women will be seen as a better bet than rule by men. What's wrong with men is that they tend to look for the violent solution. Women don't.
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When policemen go to prison in England, they have as bad a time as a pedophile.
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It's often said of American politics that it's a huge juggernaut and the president can change the direction by two or three degrees in either direction, but not much more. In fact, I think the president's power is limited, much more than the prime minister in England.
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Very broadly, literature concerns itself with the internal, cinema with the external.
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We hear about the successful Texanisation of the Republican party. And doesn't Texas sometimes seem to resemble a country like Saudi Arabia, with its great heat, its oil wealth, its brimming houses of worship, and its weekly executions?
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Faith is a talent, and it goes the way of all your talents. Getting old is the subtraction of your powers. Which very much goes for writing.
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When communism failed, it wasn't a good idea that had gone wrong, it was a bad idea that had been sustained with incredible determination in the face of all the commonsense arguments, and at the cost of 20 million lives at least, in Russia, to build the socialist Utopia.
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We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.
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I think a lot of people who read fiction are interested in subtlety. But they wouldn't like my stuff. It's a bit too violent for many tastes.
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The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head.
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Everything seems fine until you're about 40. Then something is definitely beginning to go wrong. And you look in the mirror with your old habit of thinking, 'While I accept that everyone grows old and dies, it's a funny thing, but I'm an exception to that rule.
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I always do my draft in long hand because even the ink is part of the flow.
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It used to be said that by a certain age a man had the face that he deserved. Nowadays, he has the face he can afford.
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