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While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw--that of outright unreadability.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Suffering
Outright
Flaw
Suffers
Masterpiece
Fairly
Flaws
Clearly
Impregnable
Serious
Quixote

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Style is not neutral it gives moral directions.
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It's good fun to create an unpredictable character. When he comes into the room, I don't know what he's going to do - I have to find my way.
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He awoke at six, as usual. He needed no alarm clock. He was already comprehensively alarmed.
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My friendship with the Hitch has always been perfectly cloudless. It is a love whose month is ever May.
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Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
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But before we face experience, that miserable enemy, let us have some more innocence, just for a while.
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No novel has ever changed anything, as far as I can see. And the great satirists, like Swift and Dickens, tend to write about abuses and injustices that have already been partially corrected - you write about it after it's over.
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No novel has ever changed anything, as far as I can see.
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When I go back to the core of my childhood, my cousin Lucy seems always to be in the peripheral vision of my memories. She is off to one side, always off to one side, with a book, with a scheme or a project or an enterprise.
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I say the sentences again and again in my head until they sound right.
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When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
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I'm afraid the negative things are always the great subjects. Failure is much more interesting than success.
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My belief is that everything that's written about you is actually secondary showbiz nonsense, and you shouldn't take any notice of it.
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Everything seems fine until you're about 40. Then something is definitely beginning to go wrong. And you look in the mirror with your old habit of thinking, 'While I accept that everyone grows old and dies, it's a funny thing, but I'm an exception to that rule.
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Tennis: the most perfect combination of athleticism, artistry, power, style, and wit. A beautiful game, but one so remorselessly travestied by the passage of time.
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In my experience of fights and fighting, it is invariably the aggressor who keeps getting everything wrong.
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We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.
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How incredibly avaricious the whole operation was, the way they made the Jews pay for their tickets in the railway cars to the death camps. Yeah, and the rates for a third-class ticket, one way. And half price for children.... It was a kind of exploration of evil. Just how bad can we get?
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Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.
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On any longer view, man is only fitfully committed to the rational -- to thinking, seeing, learning, knowing. Believing is what he's really proud of.
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