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You get the feeling that childhood does not last as long as it used to. Innocence gets harder to hold on to as the world gets older, as it accumulates more experience, more mileage and more blood on the tracks.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Experience
Childhood
Feelings
Harder
Doe
Gets
Accumulates
Used
Hold
Mileage
Long
Blood
Tracks
World
Feeling
Innocence
Lasts
Track
Last
Older

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When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
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When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
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It was the tiredness of time lived, with its days and days. It was the tiredness of gravity- gravity, which wants you down in the center of the earth.
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You see tragedy requires persons of heroic stature. It works on the principle of people being more than humansuper-humanand also being only too human. But there just aren't many great figures around now, so the tragic mechanisms can't work.
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Amis is acutely, vibrantly sensitive to the different registers of laughter. He knows that it can be the most affirming and uniquely human sound, and also the most sinister and animalistic one. He understands every note of every octave that separates the liberating shout of mirth from the cackle of a bully or the snigger of a sadist.
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If you want to know the real meaning of pornography, it is the utter dissociation of love and sex, the banishment of love from the sexual arena.
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Being inoffensive, and being offended, are now the twin addictions of the culture.
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It is straightforward — and never mind, for now, about plagues and famines: if God existed, and if he cared for humankind, he would never have given us religion.
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They did more than take our youth away. They also took away the men we were going to be.
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Novelists tend to go off at 70, and I'm in a funk about it, I've got myself into a real paranoid funk about it, how the talent dies before the body.
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It's tremendously important how you get on with the other sex. Your life record on that is incredibly important. You never really think about any of your other achievements.
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While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw--that of outright unreadability.
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It is terrible to see someone being beaten up by the English language.
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Every 10 years you're a different person, and the really great books evolve with you as you get older. They're full of new rewards.
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There's Chile and there's Uruguay, and no one quite knows why Uruguay is so appealingly selfless because they've had their terror and their revolution like all the rest. But somehow, there's something in them.
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I don't think I'd like Manhattan anymore. My mother-in-law lives there, and you go there. But I like looking at it from a distance. It's a fantastic sight - every time, it awes me.
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Fiction is the only way to redeem the formlessness of life
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The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
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Pat Robertson at a national convention, equipped with delegates, certainly remains a terrible sight. He is a charlatan of Chaucerian dimensions.
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The first thing that distinguishes a writer is that he is most alive when alone.
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