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You get the feeling that childhood does not last as long as it used to. Innocence gets harder to hold on to as the world gets older, as it accumulates more experience, more mileage and more blood on the tracks.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Lasts
Track
Last
Older
Experience
Childhood
Feelings
Harder
Doe
Gets
Accumulates
Used
Hold
Mileage
Long
Blood
Tracks
World
Feeling
Innocence

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The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there.
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We hear about the successful Texanisation of the Republican party. And doesn't Texas sometimes seem to resemble a country like Saudi Arabia, with its great heat, its oil wealth, its brimming houses of worship, and its weekly executions?
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All the things we value in society don't mean much in fiction.
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You cannot combine being a movie star with not being a movie star.
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When communism failed, it wasn't a good idea that had gone wrong, it was a bad idea that had been sustained with incredible determination in the face of all the commonsense arguments, and at the cost of 20 million lives at least, in Russia, to build the socialist Utopia.
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I would never write about someone that forced me to write at a lower register than what I can write.
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The true manipulator never has a reputation for manipulating.
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Fiction is the only way to redeem the formlessness of life
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We all have names we don't know about.
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Your heart becomes gangrenous in your body when you go against your talent.
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Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
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The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
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Novelists don't age as quickly as philosophers, who often face professional senility in their late twenties.
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Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.
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Since it is no longer permissible to disparage any single faith or creed, let us start disparaging all of them... A religion is a belief system with no basis in reality whatever. Religious belief is without reason and without dignity, and its record is near-universally dreadful.
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Pat Robertson at a national convention, equipped with delegates, certainly remains a terrible sight. He is a charlatan of Chaucerian dimensions.
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