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I can imagine in a century or two that rule by women will be seen as a better bet than rule by men. What's wrong with men is that they tend to look for the violent solution. Women don't.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Men
Seen
Imagine
Wrong
Solution
Two
Violent
Women
Tend
Better
Solutions
Look
Rule
Looks
Century

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...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?
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Someone watches over us when we write. Mother. Teacher. Shakespeare. God.
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Everything seems fine until you're about 40. Then something is definitely beginning to go wrong. And you look in the mirror with your old habit of thinking, 'While I accept that everyone grows old and dies, it's a funny thing, but I'm an exception to that rule.
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You cannot combine being a movie star with not being a movie star.
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Your purpose when driving is not to arrive at your destination safely or quickly. Your purpose when driving is...to impress your personality on the road.
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Money doesn't mind if we say it's evil, it goes from strength to strength. It's a fiction, an addiction, and a tacit conspiracy.
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Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
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The Uruguayans have a sort of purity. I don't know where they got it, and I doubt even if they know from where they got it. Perhaps they didn't kill off their major population.
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I'm afraid the negative things are always the great subjects. Failure is much more interesting than success.
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Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
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For myself and my loved ones, I want the heat, which comes at the speed of light. I don't want to have to hang about for the blast, which idles along at the speed of sound.
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We all have names we don't know about.
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[On STDs] This be Nature’s way of recommending monogamy.
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There's a lot of anti-intellectualism in Britain. And the writer's views on this or that are really of less importance, as they see it, than that of the man in the street.
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Only in art will the lion lie down with the lamb, and the rose grow without thorn.
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Very broadly, literature concerns itself with the internal, cinema with the external.
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Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
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Sex was like Disneyland to her: an allotment of organized wonders and legal mischief.
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It was the tiredness of time lived, with its days and days. It was the tiredness of gravity- gravity, which wants you down in the center of the earth.
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While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw--that of outright unreadability.
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