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My friendship with the Hitch has always been perfectly cloudless. It is a love whose month is ever May.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Month
Love
Perfectly
Friendship
Whose
Months
May
Cloudless
Ever
Hitch
Always

More quotes by Martin Amis

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When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
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Novelists don't age as quickly as philosophers, who often face professional senility in their late twenties.
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The first thing that distinguishes a writer is that he is most alive when alone.
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Has it ever happened to you...? The color of the day suddenly changes to shadow. And you know you're going to remember that moment for the rest of your life.
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I don't think I'd like Manhattan anymore. My mother-in-law lives there, and you go there. But I like looking at it from a distance. It's a fantastic sight - every time, it awes me.
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All the things we value in society don't mean much in fiction.
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I think novelists are in the education business, really, but they're not teaching you times tables, they are teaching you responsiveness and morality and to make nuanced judgments. And really to just make the planet look a bit richer when you go out into the street.
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My belief is that everything that's written about you is actually secondary showbiz nonsense, and you shouldn't take any notice of it.
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The air itself was ebony, like the denial, the refutation, of the idea of light.
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We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.
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Style isn't something added on it's intrinsic to the perceptions and the way you see life.
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Very broadly, literature concerns itself with the internal, cinema with the external.
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It's tremendously important how you get on with the other sex. Your life record on that is incredibly important. You never really think about any of your other achievements.
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It's without doubt my main subject. The way masculinity can go wrong. And I'm something of a gynocrat in a utopian kind of way.
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When communism failed, it wasn't a good idea that had gone wrong, it was a bad idea that had been sustained with incredible determination in the face of all the commonsense arguments, and at the cost of 20 million lives at least, in Russia, to build the socialist Utopia.
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Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.
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No novel has ever changed anything, as far as I can see. And the great satirists, like Swift and Dickens, tend to write about abuses and injustices that have already been partially corrected - you write about it after it's over.
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My father always had doubts about the Booker prize, although they evaporated on the announcement that he had won it.
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It was the tiredness of time lived, with its days and days. It was the tiredness of gravity- gravity, which wants you down in the center of the earth.
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The satirist isn't just looking at things ironically but militantly - he wants to change them, and intends to have an effect on the world.
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