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Weapons are like money no one knows the meaning of enough.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Weapons
Meaning
Money
Enough
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Has it ever happened to you...? The color of the day suddenly changes to shadow. And you know you're going to remember that moment for the rest of your life.
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Most writers need a wound, either physical or spiritual.
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When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
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I think novelists are in the education business, really, but they're not teaching you times tables, they are teaching you responsiveness and morality and to make nuanced judgments. And really to just make the planet look a bit richer when you go out into the street.
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I say the sentences again and again in my head until they sound right.
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Present-day Spain translates as many books into Spanish, annually, as the Arab world has translated into Arabic in the past 1,100 years.
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You get the feeling that childhood does not last as long as it used to. Innocence gets harder to hold on to as the world gets older, as it accumulates more experience, more mileage and more blood on the tracks.
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Like fundamentalist Judaism and medieval Christianity, Islam is totalist. That is to say, it makes a total claim on the individual.
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The arms race is a race between nuclear weapons and ourselves.
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My literary career kicked off in 1956 when, as a resident of Swansea, South Wales, I published my first novel, 'Lucky Jim.
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Sex was like Disneyland to her: an allotment of organized wonders and legal mischief.
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You use a different part of your heart with girls.
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The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
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While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw--that of outright unreadability.
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The Uruguayans have a sort of purity. I don't know where they got it, and I doubt even if they know from where they got it. Perhaps they didn't kill off their major population.
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All the things we value in society don't mean much in fiction.
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The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head.
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In the concordance of Nicola Six's kisses there were many subheads and subsections, many genres and phyla - chapter and verse, cross-references, multiple citations.
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When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
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No novel has ever changed anything, as far as I can see.
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