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Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Goes
Nebulous
Turns
Noun
Black
Nouns
Part
Upside
Something
Solid
Love
Screen
World
Screens
Abstract

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The satirist isn't just looking at things ironically but militantly - he wants to change them, and intends to have an effect on the world.
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I can imagine in a century or two that rule by women will be seen as a better bet than rule by men. What's wrong with men is that they tend to look for the violent solution. Women don't.
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We all have names we don't know about.
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My friendship with the Hitch has always been perfectly cloudless. It is a love whose month is ever May.
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Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.
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The future could go this way, that way. The future's futures have never looked so rocky. Don't put money on it. Take my advice and stick to the present. It's the real stuff, the only stuff, it's all there is, the present, the panting present.
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Someone watches over us when we write. Mother. Teacher. Shakespeare. God.
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Love might have expanded her. But we are not all of us going to get loved. We are not all of us going to get expanded.
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It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.
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You see tragedy requires persons of heroic stature. It works on the principle of people being more than humansuper-humanand also being only too human. But there just aren't many great figures around now, so the tragic mechanisms can't work.
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Style isn't something added on it's intrinsic to the perceptions and the way you see life.
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Don't I ever do anything else but take soulful walks down the Bayswater Road, I thought, as I walked soulfully down the Baywater Road.
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You cannot combine being a movie star with not being a movie star.
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The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there.
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The Uruguayans have a sort of purity. I don't know where they got it, and I doubt even if they know from where they got it. Perhaps they didn't kill off their major population.
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Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.
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...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?
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In the concordance of Nicola Six's kisses there were many subheads and subsections, many genres and phyla - chapter and verse, cross-references, multiple citations.
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The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
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Everything seems fine until you're about 40. Then something is definitely beginning to go wrong. And you look in the mirror with your old habit of thinking, 'While I accept that everyone grows old and dies, it's a funny thing, but I'm an exception to that rule.
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