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So I am lonely, but not alone, like everybody else.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Else
Like
Lonely
Everybody
Alone

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If you want to know the real meaning of pornography, it is the utter dissociation of love and sex, the banishment of love from the sexual arena.
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When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
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Most writers need a wound, either physical or spiritual.
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We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.
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If every inhabitant of a liberal democracy believes in liberal democracy, then it doesn't matter what creed or colour they are.
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There's Chile and there's Uruguay, and no one quite knows why Uruguay is so appealingly selfless because they've had their terror and their revolution like all the rest. But somehow, there's something in them.
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Like fundamentalist Judaism and medieval Christianity, Islam is totalist. That is to say, it makes a total claim on the individual.
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Your purpose when driving is not to arrive at your destination safely or quickly. Your purpose when driving is...to impress your personality on the road.
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The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
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We all have names we don't know about.
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It is terrible to see someone being beaten up by the English language.
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Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
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When things are going well, you do have the sense that what you’re writing is being fed to you in some way. Auden compared writing a poem to cleaning an old piece of slate until the letters appear. The only way you could reveal your god is perhaps under hypnosis. It’s sacred and it’s secret, even to the writer.
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Style is not neutral it gives moral directions.
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At its grandest, political correctness is an attempt to accelerate evolution.
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When success happens to an English writer, he acquires a new typewriter. When success happens to an American writer, he acquires a new life.
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Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
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