Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
We all have names we don't know about.
Martin Amis
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Names
More quotes by Martin Amis
Style is not neutral it gives moral directions.
Martin Amis
They did more than take our youth away. They also took away the men we were going to be.
Martin Amis
When it comes to flying, I am a nervous passenger but a confident drinker and Valium-swallower.
Martin Amis
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
Martin Amis
Being inoffensive, and being offended, are now the twin addictions of the culture.
Martin Amis
You cannot combine being a movie star with not being a movie star.
Martin Amis
There isn't what my father called the cruising hostility of the English press - where they're looking around for something to attack. You don't feel that there's a great reservoir of resentment in the press as you do in England.
Martin Amis
Money doesn't mind if we say it's evil, it goes from strength to strength. It's a fiction, an addiction, and a tacit conspiracy.
Martin Amis
Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.
Martin Amis
The arms race is a race between nuclear weapons and ourselves.
Martin Amis
Jane was my wicked stepmother: she was generous, affectionate and resourceful she salvaged my schooling and I owe her an unknowable debt for that. One flaw: sometimes, early on, she would tell me things designed to make me think less of my mother, and I would wave her away, saying, Jane, this just backfires and makes me think less of you.
Martin Amis
It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.
Martin Amis
Tennis: the most perfect combination of athleticism, artistry, power, style, and wit. A beautiful game, but one so remorselessly travestied by the passage of time.
Martin Amis
Pat Robertson at a national convention, equipped with delegates, certainly remains a terrible sight. He is a charlatan of Chaucerian dimensions.
Martin Amis
It was the tiredness of time lived, with its days and days. It was the tiredness of gravity- gravity, which wants you down in the center of the earth.
Martin Amis
When communism failed, it wasn't a good idea that had gone wrong, it was a bad idea that had been sustained with incredible determination in the face of all the commonsense arguments, and at the cost of 20 million lives at least, in Russia, to build the socialist Utopia.
Martin Amis
Everything seems fine until you're about 40. Then something is definitely beginning to go wrong. And you look in the mirror with your old habit of thinking, 'While I accept that everyone grows old and dies, it's a funny thing, but I'm an exception to that rule.
Martin Amis
Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
Martin Amis
...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?
Martin Amis
The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
Martin Amis