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Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Work
Writers
Things
Among
Probably
Forefront
Point
Disintegration
Fall
Briefly
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Impression
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Apart
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Chaos

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It's hard to make progress with grief.
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Someone watches over us when we write. Mother. Teacher. Shakespeare. God.
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When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
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In my experience of fights and fighting, it is invariably the aggressor who keeps getting everything wrong.
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It's without doubt my main subject. The way masculinity can go wrong. And I'm something of a gynocrat in a utopian kind of way.
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Most writers need a wound, either physical or spiritual.
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Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
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But before we face experience, that miserable enemy, let us have some more innocence, just for a while.
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I think novelists are in the education business, really, but they're not teaching you times tables, they are teaching you responsiveness and morality and to make nuanced judgments. And really to just make the planet look a bit richer when you go out into the street.
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So I am lonely, but not alone, like everybody else.
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My 12-year-old daughter said to me, Enough with the subtitles, Daddy, for crying out loud. Because they always seem to cloud the issue rather than clarify it.
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When it comes to flying, I am a nervous passenger but a confident drinker and Valium-swallower.
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Perhaps there are other bits of my life that would take on content, take on shadow, if only I read more and thought less about money.
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It used to be said that by a certain age a man had the face that he deserved. Nowadays, he has the face he can afford.
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As someone once said, covers to a novel are like bars to a cage. You can watch the tiger, the Komodo dragon, and admire it - its heart, its severity. Even when they carry out an ugly act, it's still fascinating.
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I can imagine in a century or two that rule by women will be seen as a better bet than rule by men. What's wrong with men is that they tend to look for the violent solution. Women don't.
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At its grandest, political correctness is an attempt to accelerate evolution.
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Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.
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We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.
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My father always had doubts about the Booker prize, although they evaporated on the announcement that he had won it.
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