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So if you ever felt something behind you, when you weren't even one, like welcome heat, like a bulb, like a sun, trying to shine right across the universe - it was me. Always me. It was me. It was me.

Martin Amis

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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
Writer
Abertawe
Martin Louis Amis
Even
Across
Trying
Sun
Bulb
Something
Behinds
Bulbs
Always
Behind
Shine
Like
Universe
Weren
Felt
Heat
Ever
Welcome
Right
Shining

More quotes by Martin Amis

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They're always looking forward to going places they're just coming back from, or regretting doing things they haven't yet done. They say hello when they mean goodbye.
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When it comes to flying, I am a nervous passenger but a confident drinker and Valium-swallower.
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Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
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There's Chile and there's Uruguay, and no one quite knows why Uruguay is so appealingly selfless because they've had their terror and their revolution like all the rest. But somehow, there's something in them.
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I always do my draft in long hand because even the ink is part of the flow.
Martin Amis
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It's without doubt my main subject. The way masculinity can go wrong. And I'm something of a gynocrat in a utopian kind of way.
Martin Amis
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Don't I ever do anything else but take soulful walks down the Bayswater Road, I thought, as I walked soulfully down the Baywater Road.
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I think a lot of people who read fiction are interested in subtlety. But they wouldn't like my stuff. It's a bit too violent for many tastes.
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You see tragedy requires persons of heroic stature. It works on the principle of people being more than humansuper-humanand also being only too human. But there just aren't many great figures around now, so the tragic mechanisms can't work.
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I think novelists are in the education business, really, but they're not teaching you times tables, they are teaching you responsiveness and morality and to make nuanced judgments. And really to just make the planet look a bit richer when you go out into the street.
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Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.
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My life looked good on paper - where, in fact, almost all of it was being lived.
Martin Amis
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It's hard to make progress with grief.
Martin Amis
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There's a lot of anti-intellectualism in Britain. And the writer's views on this or that are really of less importance, as they see it, than that of the man in the street.
Martin Amis
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When the past is forgotten, the present is unforgettable
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He awoke at six, as usual. He needed no alarm clock. He was already comprehensively alarmed.
Martin Amis
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When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
Martin Amis
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I'm not interested in making a diagnostic novel or a concern. I'm 100 percent committed in fiction to the pleasure principle - that's what fiction is, and should be.
Martin Amis
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I say the sentences again and again in my head until they sound right.
Martin Amis
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Amis is acutely, vibrantly sensitive to the different registers of laughter. He knows that it can be the most affirming and uniquely human sound, and also the most sinister and animalistic one. He understands every note of every octave that separates the liberating shout of mirth from the cackle of a bully or the snigger of a sadist.
Martin Amis