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When I go back to the core of my childhood, my cousin Lucy seems always to be in the peripheral vision of my memories. She is off to one side, always off to one side, with a book, with a scheme or a project or an enterprise.
Martin Amis
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Martin Amis
Age: 75
Memoirist
Novelist
Science Fiction Writer
Screenwriter
Short Story Writer
University Teacher
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Abertawe
Martin Louis Amis
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More quotes by Martin Amis
Most writers need a wound, either physical or spiritual.
Martin Amis
But before we face experience, that miserable enemy, let us have some more innocence, just for a while.
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Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart.
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Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.
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I think a lot of people who read fiction are interested in subtlety. But they wouldn't like my stuff. It's a bit too violent for many tastes.
Martin Amis
I always do my draft in long hand because even the ink is part of the flow.
Martin Amis
America still is the center of the world, and what happens in the American economy matters everywhere.
Martin Amis
The arms race is a race between nuclear weapons and ourselves.
Martin Amis
It is terrible to see someone being beaten up by the English language.
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All the things we value in society don't mean much in fiction.
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We all have names we don't know about.
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So if you ever felt something behind you, when you weren't even one, like welcome heat, like a bulb, like a sun, trying to shine right across the universe - it was me. Always me. It was me. It was me.
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Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
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I say the sentences again and again in my head until they sound right.
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...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?
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When communism failed, it wasn't a good idea that had gone wrong, it was a bad idea that had been sustained with incredible determination in the face of all the commonsense arguments, and at the cost of 20 million lives at least, in Russia, to build the socialist Utopia.
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It's good fun to create an unpredictable character. When he comes into the room, I don't know what he's going to do - I have to find my way.
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I would never write about someone that forced me to write at a lower register than what I can write.
Martin Amis
Tennis: the most perfect combination of athleticism, artistry, power, style, and wit. A beautiful game, but one so remorselessly travestied by the passage of time.
Martin Amis
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
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