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The question at hand is the danger posed to truth by computer-manipulated photographic imagery. How do we approach this question in a period in which the veracity of even the straight, unmanipulated photograph has been under attack for a couple of decades.

Martha Rosler

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Martha Rosler
Age: 81
Born: 1943
Born: July 29
Art Theorist
Artist
Exhibition Curator
Installation Artist
Performance Artist
Photographer
Television Producer
University Teacher
Video Artist
Brooklyn
New York
Danger
Attack
Couple
Decades
Question
Straight
Hand
Period
Veracity
Hands
Photograph
Posed
Truth
Periods
Photographic
Even
Computer
Manipulated
Approach
Imagery

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Photography [can] be seen as a system of representation that you bring to bear on other systems.
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Are we asserting the easy dominion of our civilization over all times and all places, as signs that we casually absorb as a form of loot?
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Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.)
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The exposé, the compassion and outrage, of documentary fueled by the dedication to reform has shaded over into combinations of exoticism, tourism, voyeurism, psychologism and metaphysics, trophy hunting - and careerism.
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Just going out on a foray to assemble a collection of street trophies about this or that running social sore can't be effective - and never was.
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