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I use the words gods and goddesses principally, I think, to mean beautiful bodies - bodies that are absolute instruments. And I believe in discipline, I believe in a very definite technique.
Martha Graham
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Martha Graham
Age: 96 †
Born: 1894
Born: May 11
Died: 1991
Died: April 1
Artist
Ballet Dancer
Ballet Master
Choreographer
Costume Designer
Dancer
Music Pedagogue
Pittsburg
Pennsylvania
Martha Grehem
Mean
Absolute
Believe
Technique
Goddesses
Think
Instruments
Principally
Thinking
Discipline
Goddess
Words
Definite
Use
Bodies
Beautiful
Gods
Body
Absolutes
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The unique must be fulfilled.
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Some of you are doomed to be artists.
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You give all your life to doing this one thing. It sounds grim, it sounds frightening - it isn't - it has a great gaiety at times and a great wonder.
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...Although, as the Latin verb to educate, educate, indicates, it is not a question of putting something in but drawing it out, if it is there to begin with...I want all of my students and all of my dancers to be aware of the poignancy of life at that moment. I would like to feel that I had, in some way, given them the gift of themselves.
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Dancing appears glamorous, easy, delightful. But the path to paradise of the achievement is not easier than any other. There is fatigue so great that the body cries, even in its sleep. There are times of complete frustration, there are daily small deaths.
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You see, when weaving a blanket, an Indian woman leaves a flaw in the weaving of that blanket to let the soul out.
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You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.
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Theater used to be a verb it used to be an act. But nowadays it is just a noun. It is a place.
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The center of the stage is where I am.
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Misery is a communicable disease.
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I did not choose to be a dancer. I was chosen.
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Our arms start from the back because they were once wings.
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The spine is the tree of life. Respect it.
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There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique.
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Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
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When you start with an idea, or something hits you, then you have to follow that through to the end, and it's the following through to the end that makes the pattern. That, for me, is choreography.
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You have no right to go before a public without an adequate technique, just because you feel. Anything feels - a leaf feels, a storm feels - what right have you to do that? You have to have speech, and it's a cultivated speech.
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I don't try to tell the dancers exactly what a dance means before they do it.
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I want to make people feel intensely alive. I'd rather have them against me than indifferent.
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I am certain that movement never lies. There is only one law of posture I have been able to discover - the perpendicular line connecting heaven and earth.
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