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Today, the mass audience (the successor to the public) can be used as a creative, participating force. It is, instead, merely given packages of passive entertainment. Politics offers yesterday's answers to today's questions.
Marshall McLuhan
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Marshall McLuhan
Age: 69 †
Born: 1911
Born: July 21
Died: 1980
Died: December 31
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Edmonton
Alberta
Herbert Marshall McLuhan
Marshall MacLuhan
Marshall Mac Luhan
Force
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Successors
Given
Mass
Participating
Used
Instead
Packages
Today
Answers
Passive
Public
Yesterday
Creative
Entertainment
Politics
Merely
Audience
Questions
Successor
More quotes by Marshall McLuhan
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I am not a culture critic because I am not in any way interested in classifying cultural forms. I am a metaphysician, interested in the life of the forms and their surprising modalities. That is why I have no interest in the academic world.
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One of the effects of living with electric information is that we live habitually in a state of information overload. There's always more than you can cope with.
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The movie stars and matinee idols are put into the public domain by photography. They become dreams that money can buy. They can be bought and thumbed more easily than public prostitutes.
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Literacy, the visual technology, dissolved the tribal magic by means of its stress on fragmentation and specialization and created the individual.
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The school system is the homogenizing hopper into which we toss our integral tots for processing.
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Any breakdown is a breakthrough.
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The movie, by sheer speeding up of the mechanical, carried us from the world of sequence and connections into the world of creative configurations and structure.
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Food for the mind is like food for the body: the inputs are never the same as the outputs.
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When things come at you very fast, naturally you lose touch with yourself.
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The space of early Greek cosmology was structured by logos - resonant utterance or word.
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The successor to politics will be propaganda. Propaganda, not in the sense of a message or ideology, but as the impact of the whole technology of the times.
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Poetry and the arts can’t exist in America. Mere exposure to the arts does nothing for a mentality which is incorrigibly dialectical. The vital tensions and nutritive action of ideogram remain inaccessible to this state of mind.
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