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It is perhaps typical of very creative minds that they hit very large nails not quite on the head.
Marshall McLuhan
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Marshall McLuhan
Age: 69 †
Born: 1911
Born: July 21
Died: 1980
Died: December 31
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Edmonton
Alberta
Herbert Marshall McLuhan
Marshall MacLuhan
Marshall Mac Luhan
Typical
Minds
Large
Perhaps
Head
Quite
Creative
Mind
Nails
More quotes by Marshall McLuhan
A point of view can be a dangerous luxury when substituted for insight and understanding.
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To say that the camera cannot lie is merely to underline the multiple deceits that are now practised in its name.
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The more the data banks record about each one of us, the less we exist.
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The past went that-a-way. When faced with a totally new situation, we tend always to attach ourselves to the objects, to the flavor of the most recent past. We look at the present through a rear view mirror. We march backwards into the future.
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There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
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Professionalism is environmental. Amateurism is anti environmental. Professionalism merges the individual into patterns of total environment. Amateurism seeks the development of the total awareness of the individual and the critical awareness of the ground rules of society. The amateur can afford to loose.
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Language does for intelligence what the wheel does for the feet and the body. It enables them to move from thing to thing with greater ease and speed and ever less involvement.
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The circuited city of the future will not be the huge hunk of concentrated real estate created by the railway. It will take on a totally new meaning under conditions of very rapid movement. It will be an information megalopolis.
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What goes on inside the school is an interruption of education.
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Publication is a self-invasion of privacy.
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Today we are beginning to notice that the new media are not just mechanical gimmicks for creating worlds of illusion, but new languages with new and unique powers of expression.
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A commercial society whose members are essentially ascetic and indifferent in social ritual has to be provided with blueprints and specifications for evoking the right tone for every occasion.
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It is critical vision alone which can mitigate the unimpeded operation of the automatic.
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We become what we behold. We shape our tools and then our tools shape us.
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First we build the tools, then they build us.
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In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point.
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Money is a poor man's credit card.
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Radical changes of identity, happening suddenly and in very brief intervals of time, have proved more deadly and destructive of human values than wars fought with hardware weapons.
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The ignorance of how to use knowledge stockpiles exponentially.
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At electric speed, all forms are pushed to the limits of their potential.
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