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Good taste is the first refuge of the non creative. It is the last ditch stand of the artist.
Marshall McLuhan
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Marshall McLuhan
Age: 69 †
Born: 1911
Born: July 21
Died: 1980
Died: December 31
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Edmonton
Alberta
Herbert Marshall McLuhan
Marshall MacLuhan
Marshall Mac Luhan
First
Refuge
Good
Taste
Stand
Creative
Lasts
Last
Artist
Firsts
Ditch
More quotes by Marshall McLuhan
Today, the mass audience (the successor to the public) can be used as a creative, participating force. It is, instead, merely given packages of passive entertainment. Politics offers yesterday's answers to today's questions.
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Madison Avenue is a very powerful aggression against private consciousness. A demand that you yield your private consciousness to public manipulation.
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Youth instinctively understand the present environment - the electric drama. It lives mythically and in depth.
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Violence is the quest for identity. When identity disappears with technological innovation, violence is the natural recourse.
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Typography is not only a technology but is in itself a natural resource or staple, like cotton or timber or radio and, like any staple, it shapes not only private sense ratios but also patterns of communal interdependence.
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The rythms of typing favour short, concise sentences, sentences with oral form.
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Great art speaks a language which every intelligent person can understand. The people who call themselves modernists today speak a different language.
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Until writing was invented, man lived in acoustic space: boundless, directionless, horizonless, in the dark of the mind, in the world of emotion.
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The huge advantage of Canada is its backwardness.
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One of the effects of living with electric information is that we live habitually in a state of information overload. There's always more than you can cope with.
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In antiquity and the Middle Ages reading was necessarily reading aloud.
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At electric speed, all forms are pushed to the limits of their potential.
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Jokes are grievances.
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Only a fraction of the history of literacy has been typographic.
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The method of our time is to use not a single but multiple models for exploration.
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There is a real, living unity in our time, as in any other, but it lies submerged under a superficial hubbub of sensation.
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Money is a poor man's credit card.
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I am not a culture critic because I am not in any way interested in classifying cultural forms. I am a metaphysician, interested in the life of the forms and their surprising modalities. That is why I have no interest in the academic world.
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North Americans have a peculiar bias. They go outside to be alone and they go home to be social.
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Persons grouped around a fire or candle for warmth or light are less able to pursue independent thoughts, or even tasks, than people supplied with electric light. In the same way, the social and educational patterns latent in automation are those of self-employment and artistic autonomy.
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